Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 51 筆
第 40 頁
... Reason , or by Good Sense " ( Needham , Taste and Criticism in the 18th Century ) . No wonder that the 18th century came to be known as the Age of Prose and Reason . John Dryden ( 1631-1700 ) started his career of a critic with great ...
... Reason , or by Good Sense " ( Needham , Taste and Criticism in the 18th Century ) . No wonder that the 18th century came to be known as the Age of Prose and Reason . John Dryden ( 1631-1700 ) started his career of a critic with great ...
第 121 頁
Nitish K. Basu. A. Superiority of Imagination over Reason . Shelley first engaged himself in meeting this attack by Reason establishing the inferiority of reason to imagination . is the power of superficial conception and external ...
Nitish K. Basu. A. Superiority of Imagination over Reason . Shelley first engaged himself in meeting this attack by Reason establishing the inferiority of reason to imagination . is the power of superficial conception and external ...
第 273 頁
... reason . " Fancy and Reason go hand in hand ; the first cannot leave the last behind ; and though Fancy , when it sees the wide gulf , would venture over as the nimbler , yet it is with- held by Reason , which will refuse to take the ...
... reason . " Fancy and Reason go hand in hand ; the first cannot leave the last behind ; and though Fancy , when it sees the wide gulf , would venture over as the nimbler , yet it is with- held by Reason , which will refuse to take the ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing