Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 38 筆
第 187 頁
... proper feeling : " Whatever words a writer employs , he benefits by knowing as much as possible of the history of those words , of the uses to which they have already been applied . Such knowledge facilitates his task of giving to the ...
... proper feeling : " Whatever words a writer employs , he benefits by knowing as much as possible of the history of those words , of the uses to which they have already been applied . Such knowledge facilitates his task of giving to the ...
第 259 頁
... proper rhyme in the proper place as Chaucer's use of ' riding rhyme ' in The Canterbury Tales and " in diverse other delectable and light enterprises " and the use of Rhyme Royal for " grave discourses " . He could recommend the ballad ...
... proper rhyme in the proper place as Chaucer's use of ' riding rhyme ' in The Canterbury Tales and " in diverse other delectable and light enterprises " and the use of Rhyme Royal for " grave discourses " . He could recommend the ballad ...
第 269 頁
Nitish K. Basu. and of a proper magnitude - by different means in different parts— effecting through pity and terror proper purgation and refinement of such passions . " 3 To remove any misunderstanding that may remain , he condemned ...
Nitish K. Basu. and of a proper magnitude - by different means in different parts— effecting through pity and terror proper purgation and refinement of such passions . " 3 To remove any misunderstanding that may remain , he condemned ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing