Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 57 筆
第 9 頁
... produced when the events come as a surprise , being unexpected consequences of each other . " Even coincidences are most striking when they have an air of design " . Plots , which have taken into account these principles , and not the ...
... produced when the events come as a surprise , being unexpected consequences of each other . " Even coincidences are most striking when they have an air of design " . Plots , which have taken into account these principles , and not the ...
第 12 頁
... produced in the first part . Again , as Tragedy is an imitation of persons who are above the common level , poets should preserve the type and yet ennoble it , as the portrait painters do . In Chapter XVI , Aristotle discusses the ...
... produced in the first part . Again , as Tragedy is an imitation of persons who are above the common level , poets should preserve the type and yet ennoble it , as the portrait painters do . In Chapter XVI , Aristotle discusses the ...
第 110 頁
... produced by real events " or those which " form the structure of his own mind , arise in him without the imme- diate ... produces , or feels to be pro- duced , in himself " . The poet tries his best to identify his own feelings with ...
... produced by real events " or those which " form the structure of his own mind , arise in him without the imme- diate ... produces , or feels to be pro- duced , in himself " . The poet tries his best to identify his own feelings with ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing