Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 62 筆
第 48 頁
... pointed out that in the beginning of the 17th century surely the French plays had been much inferior to the English ones . " But since that time we have been so long together bad Englishmen , that we had not leisure to be good poets ...
... pointed out that in the beginning of the 17th century surely the French plays had been much inferior to the English ones . " But since that time we have been so long together bad Englishmen , that we had not leisure to be good poets ...
第 79 頁
... pointed out his defects . In the Preface , Pope made some illuminating remarks but they are patchy and insignificant in comparison with the survey of his great predecessor , John Dryden . From his " 18th century eminence " he pointed ...
... pointed out his defects . In the Preface , Pope made some illuminating remarks but they are patchy and insignificant in comparison with the survey of his great predecessor , John Dryden . From his " 18th century eminence " he pointed ...
第 89 頁
... pointed out that Shakespeare was less figurative and more natural in Two Gentlemen of Verona . Gray on the other hand liked Shakespeare's language , which " is one of his principal beauties " . " Every word in him is a picture " he said ...
... pointed out that Shakespeare was less figurative and more natural in Two Gentlemen of Verona . Gray on the other hand liked Shakespeare's language , which " is one of his principal beauties " . " Every word in him is a picture " he said ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing