Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 38 筆
第 11 頁
... plot , though he has shown his preference for a plot in which the change is from good to bad , and has criticised the tragedy with a double thread of plot to satisfy the weakness of the audience . In Chapter XV he explains the ...
... plot , though he has shown his preference for a plot in which the change is from good to bad , and has criticised the tragedy with a double thread of plot to satisfy the weakness of the audience . In Chapter XV he explains the ...
第 45 頁
... plot - which more or less is a universally accepted idea . Crites next observed that few of the modern plays judged ... plot ) , Catastasis ( height and full growth or counterturn ) and lastly , the Catastrophe ( the unravelling of the ...
... plot - which more or less is a universally accepted idea . Crites next observed that few of the modern plays judged ... plot ) , Catastasis ( height and full growth or counterturn ) and lastly , the Catastrophe ( the unravelling of the ...
第 269 頁
... plot a little later . " The unity of plot does not consist , as some conceive it to be merely in the unity of the hero . For numberless events happen to one man , many of which are such as cannot be reduced to unity ; and so , likewise ...
... plot a little later . " The unity of plot does not consist , as some conceive it to be merely in the unity of the hero . For numberless events happen to one man , many of which are such as cannot be reduced to unity ; and so , likewise ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing