Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 36 筆
第 94 頁
... opinion . Boswell recorded how he patiently submitted to the apathy of the public to his own play Irene . He only ... opinion , expressed in the preface to Secret Love or The Maiden Queen ( 1668 ) , that the author may depend upon his ...
... opinion . Boswell recorded how he patiently submitted to the apathy of the public to his own play Irene . He only ... opinion , expressed in the preface to Secret Love or The Maiden Queen ( 1668 ) , that the author may depend upon his ...
第 195 頁
... opinion , which is no doubt the reason why an unbiassed opinion is always absolutely valueless " 37 . T. S. Eliot on the other hand following a traditional view condemns such ' creative ' criticism , which he calls misleading . For ...
... opinion , which is no doubt the reason why an unbiassed opinion is always absolutely valueless " 37 . T. S. Eliot on the other hand following a traditional view condemns such ' creative ' criticism , which he calls misleading . For ...
第 265 頁
... opinion when he objected to rhyme , except for occa- sional couplets , in plays . Even two centuries later there has been no perceptible change in the current opinion . The question of metre and rhythm , however , has always been a live ...
... opinion when he objected to rhyme , except for occa- sional couplets , in plays . Even two centuries later there has been no perceptible change in the current opinion . The question of metre and rhythm , however , has always been a live ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing