Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 41 筆
第 112 頁
... objects without us , we feel ourselves to be in contact with the essential nature of these objects to be no longer bewildered and oppressed by them , but to have their secret , and to be in harmony with them ; and this feeling calms and ...
... objects without us , we feel ourselves to be in contact with the essential nature of these objects to be no longer bewildered and oppressed by them , but to have their secret , and to be in harmony with them ; and this feeling calms and ...
第 244 頁
... objects before our eyes it is primary . These sense - impressions are then submitted to a mental process which he described in this way : " It is this sense which furnishes the Imagination with its Ideas , so that by the pleasure of the ...
... objects before our eyes it is primary . These sense - impressions are then submitted to a mental process which he described in this way : " It is this sense which furnishes the Imagination with its Ideas , so that by the pleasure of the ...
第 279 頁
... objects capable of creating the appearance of the original in the mind and then use his brush and colour so skilfully as to impart " rhythmic vitality " , which the Chinese aesthetic critics regard as the first of the six parts of ...
... objects capable of creating the appearance of the original in the mind and then use his brush and colour so skilfully as to impart " rhythmic vitality " , which the Chinese aesthetic critics regard as the first of the six parts of ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing