Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 84 筆
第 76 頁
... Nature but found that Nature and Homer were the same ( 135 ) . Thus Pope wanted creative genius to follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle , Horace and other ...
... Nature but found that Nature and Homer were the same ( 135 ) . Thus Pope wanted creative genius to follow a well - marked path a path that neo - classicists marked out , following in their own way Aristotle , Horace and other ...
第 77 頁
... Nature and Homer he found the same " ( l . 135 ) . According to Pope creative genius is to follow Nature but " Nature advantageously dressed " . He wanted , in other words , to follow rules of the ancients which were only methodised Nature ...
... Nature and Homer he found the same " ( l . 135 ) . According to Pope creative genius is to follow Nature but " Nature advantageously dressed " . He wanted , in other words , to follow rules of the ancients which were only methodised Nature ...
第 81 頁
... nature to say , that they are not important to a poet's study , than the manners and affections of his species . Nature is the poet's giess ; but by nature , no one rightly undestands her mere inanimate face - however charming it may be ...
... nature to say , that they are not important to a poet's study , than the manners and affections of his species . Nature is the poet's giess ; but by nature , no one rightly undestands her mere inanimate face - however charming it may be ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing