Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 66 筆
第 185 頁
... mind . which creates " . In a perfect artist the separation is maximum and his mind can " digest and transmute the passions which are its material " . Emotions and feelings are the elements which comprise the experience on which the ...
... mind . which creates " . In a perfect artist the separation is maximum and his mind can " digest and transmute the passions which are its material " . Emotions and feelings are the elements which comprise the experience on which the ...
第 236 頁
... mind . An original poem as much as a new branch of mathematics compels the mind which receives it to grow , and it takes time " . When he says , “ hard work ” , he surely means intellectual work . Yet strangely enough he ascribes the ...
... mind . An original poem as much as a new branch of mathematics compels the mind which receives it to grow , and it takes time " . When he says , “ hard work ” , he surely means intellectual work . Yet strangely enough he ascribes the ...
第 253 頁
... mind is fancy .... He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have❞13 . " To read Dryden , Pope etc. , you need only count syllables ; but to read Donne you must measure ...
... mind is fancy .... He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have❞13 . " To read Dryden , Pope etc. , you need only count syllables ; but to read Donne you must measure ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing