Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 39 筆
第 38 頁
... later he wanted to write in a language used by men and not the bombast to be found in Kyd and Marlowe ( and sometimes even in Shakespeare ) . Incidentally we learn also of several stage devices used at that time to create " Spectacle ...
... later he wanted to write in a language used by men and not the bombast to be found in Kyd and Marlowe ( and sometimes even in Shakespeare ) . Incidentally we learn also of several stage devices used at that time to create " Spectacle ...
第 63 頁
... later he developed a bitter antipathy for the new generation and quarrelled with Addison , Pope and others , and thus lost his position as a great critic . But he had shown his critical acumen and independent spirit in his criticism of ...
... later he developed a bitter antipathy for the new generation and quarrelled with Addison , Pope and others , and thus lost his position as a great critic . But he had shown his critical acumen and independent spirit in his criticism of ...
第 78 頁
... later when he admitted the impossibility of judging Shakespeare by Aristotle's rules . Atkins points out that " in his attempt at sketching earlier critical history he betrays signs of superficiality and a want of acquaintance with ...
... later when he admitted the impossibility of judging Shakespeare by Aristotle's rules . Atkins points out that " in his attempt at sketching earlier critical history he betrays signs of superficiality and a want of acquaintance with ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing