Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 62 筆
第 217 頁
... language was received with admiration .... " The language of the early poets was " really spoken by men " * only on extraordinary occasions . Then he made an absolutely unwarranted statement , " To this language it is probable that ...
... language was received with admiration .... " The language of the early poets was " really spoken by men " * only on extraordinary occasions . Then he made an absolutely unwarranted statement , " To this language it is probable that ...
第 220 頁
... language of poetry being that of the natural conversation of men under the influence of natural feelings , was first , that this may be " applied to certain classes of poetry ; secondly , that even to these classes it is not applicable ...
... language of poetry being that of the natural conversation of men under the influence of natural feelings , was first , that this may be " applied to certain classes of poetry ; secondly , that even to these classes it is not applicable ...
第 225 頁
... language of real life a poem cannot be condemned . Unless these lines offend good taste or lack good sense on the ... language of ordinary life and even rustic life is untenable . He did not always use that language himself . ( 4 ) As ...
... language of real life a poem cannot be condemned . Unless these lines offend good taste or lack good sense on the ... language of ordinary life and even rustic life is untenable . He did not always use that language himself . ( 4 ) As ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing