Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 38 筆
第 119 頁
... kind " , and did not " ascent to the kind itself , or at least was not usually very happy in his ascension " . But for this limitation " the fertility and felicity of his criticism " would have put him at the very top of the critics of ...
... kind " , and did not " ascent to the kind itself , or at least was not usually very happy in his ascension " . But for this limitation " the fertility and felicity of his criticism " would have put him at the very top of the critics of ...
第 178 頁
... kind of tension " 9 . Elsewhere he calls the ideal of " unity of fusion " , " the shining but impractical ideal " 10 . Irony cannot be a " constant characteristic " of good poetry . It only signifies a failure to unify . " In a pointed ...
... kind of tension " 9 . Elsewhere he calls the ideal of " unity of fusion " , " the shining but impractical ideal " 10 . Irony cannot be a " constant characteristic " of good poetry . It only signifies a failure to unify . " In a pointed ...
第 195 頁
... kind of criticism that Goethe and Coleridge produced , in writing of Hamlet , is the most misleading kind possible . For they both professed unquestionable critical insight , and both make their critical aberrations the more plausible ...
... kind of criticism that Goethe and Coleridge produced , in writing of Hamlet , is the most misleading kind possible . For they both professed unquestionable critical insight , and both make their critical aberrations the more plausible ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing