Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 55 筆
第 5 頁
... imitation . They differ in the medium , the manner of imitation and the objects , and he illustrates this point . The objects of imitation are men in action and these may be as they are , or better or worse . According to Aristotle , in ...
... imitation . They differ in the medium , the manner of imitation and the objects , and he illustrates this point . The objects of imitation are men in action and these may be as they are , or better or worse . According to Aristotle , in ...
第 278 頁
... imitation is appreciated more than in other forms of art . There have been different standards for judging utility and exactitude of imitation . When an exact imitation pleases it may be said that the pleasure is largely based on the ...
... imitation is appreciated more than in other forms of art . There have been different standards for judging utility and exactitude of imitation . When an exact imitation pleases it may be said that the pleasure is largely based on the ...
第 279 頁
... imitation and react to direct experiences . That element , which has an impalpable hold on the mind overwhelming the senses , requires a minimum amount of sensitiveness , which is surely not a universal quality . The pleasure in ...
... imitation and react to direct experiences . That element , which has an impalpable hold on the mind overwhelming the senses , requires a minimum amount of sensitiveness , which is surely not a universal quality . The pleasure in ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing