Literature and CriticismBookland, 1963 - 287 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 65 筆
第 121 頁
... imagination . is the power of superficial conception and external analysis . It is " mind contemplating the relations borne by one thought to another " . Imagination is the power of insight into the inner spirit of things and the ...
... imagination . is the power of superficial conception and external analysis . It is " mind contemplating the relations borne by one thought to another " . Imagination is the power of insight into the inner spirit of things and the ...
第 244 頁
... imaginative " . Gradually the word ' imagination ' was taking a deeper significance . Imagination ( from the Latin imaginatio ) and fancy ( from the Greek phantasia ) began to be desynonymised . Addison with his usual ' smugness and ...
... imaginative " . Gradually the word ' imagination ' was taking a deeper significance . Imagination ( from the Latin imaginatio ) and fancy ( from the Greek phantasia ) began to be desynonymised . Addison with his usual ' smugness and ...
第 255 頁
... imagination that these opposite forces are reconciled . As Scott - James has summed up , 1 " And the Imagination does not merely take up the objects given in sense ; it embraces them , penetrates them and reads them as symbols - symbols ...
... imagination that these opposite forces are reconciled . As Scott - James has summed up , 1 " And the Imagination does not merely take up the objects given in sense ; it embraces them , penetrates them and reads them as symbols - symbols ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
版權所有 | |
18 個其他區段未顯示
其他版本 - 查看全部
常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing