Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 32 筆
第 242 頁
... fancy and imagination should be considered together as obviously they are interconnected and since the 16th century ... fancy or imagination ( or a little of both ) cannot be imagined even now when the words have distinct senses . In ...
... fancy and imagination should be considered together as obviously they are interconnected and since the 16th century ... fancy or imagination ( or a little of both ) cannot be imagined even now when the words have distinct senses . In ...
第 244 頁
... fancy ( from the Greek phantasia ) began to be desynonymised . Addison with his usual ' smugness and priggishness ' declared his own views in The Spectator ( June , 21st , 1712 , No. 411 ) : " There are few words in the English language ...
... fancy ( from the Greek phantasia ) began to be desynonymised . Addison with his usual ' smugness and priggishness ' declared his own views in The Spectator ( June , 21st , 1712 , No. 411 ) : " There are few words in the English language ...
第 253 頁
... fancy .... He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have❞13 . " To read Dryden , Pope etc. , you need only count syllables ; but to read Donne you must measure time , and ...
... fancy .... He has an imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have❞13 . " To read Dryden , Pope etc. , you need only count syllables ; but to read Donne you must measure time , and ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing