Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 31 筆
第 151 頁
... experiences these impressions strongly , and drives directly at the discrimination and analysis of them , has no need to trouble himself with the abstract question what beauty is in itself , or what its exact relation to truth or experience ...
... experiences these impressions strongly , and drives directly at the discrimination and analysis of them , has no need to trouble himself with the abstract question what beauty is in itself , or what its exact relation to truth or experience ...
第 186 頁
... experiences from different sources which may not at all be recognised as experience ( and it is not simply ' recollected ' ) . There is , however , much of deliberateness in the poet's escape from emotion . But the poet must have ...
... experiences from different sources which may not at all be recognised as experience ( and it is not simply ' recollected ' ) . There is , however , much of deliberateness in the poet's escape from emotion . But the poet must have ...
第 189 頁
... experience is anti - classical . Yvor Winters14 objects to Eliot's turning of a poet into an auto- maton allowing the poem a life of its own : " The artistic process is one of moral evaluation of human experience , by means of a ...
... experience is anti - classical . Yvor Winters14 objects to Eliot's turning of a poet into an auto- maton allowing the poem a life of its own : " The artistic process is one of moral evaluation of human experience , by means of a ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
著作權所有 | |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing