Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 27 筆
第 185 頁
... Emotions and feelings are the elements which comprise the experience on which the creative mind works . Numberless feelings , phrases , images ” , may remain in the poet's mind suspended until some of them unite " to form a new compound ...
... Emotions and feelings are the elements which comprise the experience on which the creative mind works . Numberless feelings , phrases , images ” , may remain in the poet's mind suspended until some of them unite " to form a new compound ...
第 188 頁
... emotions are of no use . " The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular ...
... emotions are of no use . " The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular ...
第 189 頁
... emotions in Shakespeare's mind ) . According to Vivas the poet becomes aware of his emotion as he sets it down on paper . The reader will seldom feel the same emotion . This , however , does not impeach Eliot's main classical stand that ...
... emotions in Shakespeare's mind ) . According to Vivas the poet becomes aware of his emotion as he sets it down on paper . The reader will seldom feel the same emotion . This , however , does not impeach Eliot's main classical stand that ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing