Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 46 筆
第 13 頁
... effect if used without propriety and with the express purpose of being ludicrous " .23 Whereas appro- priate use of strange words have the opposite effect . He quotes- one line from Aeschylus and another from Euripides , expressing ...
... effect if used without propriety and with the express purpose of being ludicrous " .23 Whereas appro- priate use of strange words have the opposite effect . He quotes- one line from Aeschylus and another from Euripides , expressing ...
第 178 頁
... effect , just as in tragedy there is an opposition with a negative effect " 11 . He is not satisfied with distinction made by Richards between the poetry of " harmonious equilibrium " and that of " irresolution ” . Richards , it should ...
... effect , just as in tragedy there is an opposition with a negative effect " 11 . He is not satisfied with distinction made by Richards between the poetry of " harmonious equilibrium " and that of " irresolution ” . Richards , it should ...
第 237 頁
... effect should be " unambigous " . But though in parts The Wasteland excites poetic emotions , we never feel even the emotional unity , pointed out by Richards , and the quotations from foreign languages , including German and Sanskrit ...
... effect should be " unambigous " . But though in parts The Wasteland excites poetic emotions , we never feel even the emotional unity , pointed out by Richards , and the quotations from foreign languages , including German and Sanskrit ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing