Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 34 筆
第 34 頁
... Comedy of Greece ( and not in the Old Comedy of Aristophanes , in which the fun was continuous ) to infuse an element of seriousness to give it flavour , and this was echoed by some dramatists of England . Nicholas Udall in his Prologue ...
... Comedy of Greece ( and not in the Old Comedy of Aristophanes , in which the fun was continuous ) to infuse an element of seriousness to give it flavour , and this was echoed by some dramatists of England . Nicholas Udall in his Prologue ...
第 62 頁
... comedy ultimately helping to replace the type by what is known as Sentimental Comedy . His attack mainly was on ethical grounds but in patches he gave quite good literary criticism , as in the case of Vanbrugh's The Relapse . His ...
... comedy ultimately helping to replace the type by what is known as Sentimental Comedy . His attack mainly was on ethical grounds but in patches he gave quite good literary criticism , as in the case of Vanbrugh's The Relapse . His ...
第 66 頁
... comedy of the English stage , as " one of the most monstrous inventions that ever entered into a poet's thought " . You “ might as well weave the adventures of Aeneas and Hudibras into one poem " . In another number he condemned the use ...
... comedy of the English stage , as " one of the most monstrous inventions that ever entered into a poet's thought " . You “ might as well weave the adventures of Aeneas and Hudibras into one poem " . In another number he condemned the use ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing