Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 29 筆
第 21 頁
... admitted one or two plays as good plays , a play of his being one , and denounced the rest on moral grounds . Poets were , to him , of the same class to which ' pipers and jesters ' belonged . He called poetry , music and drama as ...
... admitted one or two plays as good plays , a play of his being one , and denounced the rest on moral grounds . Poets were , to him , of the same class to which ' pipers and jesters ' belonged . He called poetry , music and drama as ...
第 63 頁
... admitted the other's right to attack the abuses of the stage being himself in favour of art being connected with morality . His real message to the age , the need for an impassioned poetry , fired by religious ' enthusiasm ' , we find ...
... admitted the other's right to attack the abuses of the stage being himself in favour of art being connected with morality . His real message to the age , the need for an impassioned poetry , fired by religious ' enthusiasm ' , we find ...
第 105 頁
... admitted , cannot be called ' one entire action ' but he asserted " it is a unity ... resulting from the respect which a number of related actions have to one common purpose . In other words , it is a unity of design and not of action ...
... admitted , cannot be called ' one entire action ' but he asserted " it is a unity ... resulting from the respect which a number of related actions have to one common purpose . In other words , it is a unity of design and not of action ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing