Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 52 筆
第 77 頁
... Wordsworth and his fellow romantics took a stand wide apart . One difference is apparent even to a casual observer . The Nature of Rousseau and Wordsworth is the Nature which we get outside city bounds , vast open spaces , the blue sky ...
... Wordsworth and his fellow romantics took a stand wide apart . One difference is apparent even to a casual observer . The Nature of Rousseau and Wordsworth is the Nature which we get outside city bounds , vast open spaces , the blue sky ...
第 109 頁
... Wordsworth's practice of it in his best poems , it is undeniable that such an extreme view was needed as an antidote to the artificial poetic diction and love for ornamental language which were the worst sides of the poetry of the ...
... Wordsworth's practice of it in his best poems , it is undeniable that such an extreme view was needed as an antidote to the artificial poetic diction and love for ornamental language which were the worst sides of the poetry of the ...
第 217 頁
... Wordsworth only put some afterthoughts , his original thesis we get in the Observations Prefixed to the Second Edition of ' Lyrical Ballads " . Wordsworth started that essay with a bold conclusion that in different ages the readers of ...
... Wordsworth only put some afterthoughts , his original thesis we get in the Observations Prefixed to the Second Edition of ' Lyrical Ballads " . Wordsworth started that essay with a bold conclusion that in different ages the readers of ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing