Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 54 筆
第 7 頁
... Tragedy then is an imitation of an action that is important , entire , and of a proper magnitude ; in language embellished and made pleasurable with each kind of artistic ornament , the several parts being enriched by different means ...
... Tragedy then is an imitation of an action that is important , entire , and of a proper magnitude ; in language embellished and made pleasurable with each kind of artistic ornament , the several parts being enriched by different means ...
第 14 頁
... Tragedy , Epic poetry may be simple , or complex , or moral or pathetic . The parts also , with the exception of music and spectacle , are the same , for it requires Reversal of situation , Discovery , Disasters and proper Sentiments ...
... Tragedy , Epic poetry may be simple , or complex , or moral or pathetic . The parts also , with the exception of music and spectacle , are the same , for it requires Reversal of situation , Discovery , Disasters and proper Sentiments ...
第 65 頁
... tragedy , there would be no scope for suspense which helps to excite pity and terror . The unhappy endings of ancient tragedies were more effective and more true to life . The happy ending of The Mourning Bride and such othere tragedies ...
... tragedy , there would be no scope for suspense which helps to excite pity and terror . The unhappy endings of ancient tragedies were more effective and more true to life . The happy ending of The Mourning Bride and such othere tragedies ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing