Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 28 筆
第 156 頁
... Oscar Wilde became their disciple , but instead of retiring within the shell of an imaginative life as a defensive measure he became aggressive . His crusade for " art for art's sake " became the target of attacks . His wit lent a cover ...
... Oscar Wilde became their disciple , but instead of retiring within the shell of an imaginative life as a defensive measure he became aggressive . His crusade for " art for art's sake " became the target of attacks . His wit lent a cover ...
第 191 頁
... Oscar Wilde for help . We have specialists , such as Mr. Berenson , or Mr. Roger Fry ” 18 . Thus , according to Eliot , Oscar Wilde is a ' most vocal ' aesthete and not a ' most professional ' one . Except for one or two such rather ...
... Oscar Wilde for help . We have specialists , such as Mr. Berenson , or Mr. Roger Fry ” 18 . Thus , according to Eliot , Oscar Wilde is a ' most vocal ' aesthete and not a ' most professional ' one . Except for one or two such rather ...
第 195 頁
... Oscar Wilde regarded critics as artists , " the highest criticism , being the purest form of personal impression , is in its way more creative than creation " 36 . It is not an attempt " to see the object as it really is " . " There is ...
... Oscar Wilde regarded critics as artists , " the highest criticism , being the purest form of personal impression , is in its way more creative than creation " 36 . It is not an attempt " to see the object as it really is " . " There is ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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常見字詞
action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing