Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 51 筆
第 183 頁
Nitish K. Basu. CHAPTER FOURTEEN WHEN T. S. ELIOT SPEAKS When T. S. Eliot modestly defined himself as a classicist in literature he was simply indicating his preference for the ... Eliot-Eliot and Arnold-Eliot and Oscar Wilde -Notes 183-197.
Nitish K. Basu. CHAPTER FOURTEEN WHEN T. S. ELIOT SPEAKS When T. S. Eliot modestly defined himself as a classicist in literature he was simply indicating his preference for the ... Eliot-Eliot and Arnold-Eliot and Oscar Wilde -Notes 183-197.
第 189 頁
... Eliot . The poetry of Homer , Chaucer or Dryden does not arise out of suffering and his explanation that the relative thinness of Arnold's lines is due to the absence of the proper amount of the discipline of suffering cannot be quite ...
... Eliot . The poetry of Homer , Chaucer or Dryden does not arise out of suffering and his explanation that the relative thinness of Arnold's lines is due to the absence of the proper amount of the discipline of suffering cannot be quite ...
第 191 頁
... Eliot , Oscar Wilde is a ' most vocal ' aesthete and not a ' most professional ' one . Except for one or two such rather contemptuous passing references it seems from Eliot's works that Oscar Wilde does not exist . Is it simply because ...
... Eliot , Oscar Wilde is a ' most vocal ' aesthete and not a ' most professional ' one . Except for one or two such rather contemptuous passing references it seems from Eliot's works that Oscar Wilde does not exist . Is it simply because ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing