Literature and CriticismBookland, 1963 - 287 頁 |
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第 1 到 3 筆結果,共 44 筆
第 113 頁
... Coleridge asserted that " the judgment of Shakespeare is commensurate with his genius - nay , that his genius reveals itself in his judgment , as in its most exalted form " . " The true ground of the mistake lies in confounding ...
... Coleridge asserted that " the judgment of Shakespeare is commensurate with his genius - nay , that his genius reveals itself in his judgment , as in its most exalted form " . " The true ground of the mistake lies in confounding ...
第 114 頁
... Coleridge was originally expected to write the Preface to the Lyrical Ballads but handed over his jottings to Wordsworth , who finally wrote it . In a letter to Robert Southey , written on the 29th July , 1892 , Coleridge called the ...
... Coleridge was originally expected to write the Preface to the Lyrical Ballads but handed over his jottings to Wordsworth , who finally wrote it . In a letter to Robert Southey , written on the 29th July , 1892 , Coleridge called the ...
第 255 頁
... Coleridge could not accept this view . He was inclined towards Schelling's view that consciousness comprises the thing perceived together with the self perceiving that object , and not either of them . Coleridge concluded that it is by ...
... Coleridge could not accept this view . He was inclined towards Schelling's view that consciousness comprises the thing perceived together with the self perceiving that object , and not either of them . Coleridge concluded that it is by ...
內容
Poets and criticsPlato and AristotleA critical | 1 |
CHAPTER | 20 |
George WhetstoneNasheBen JonsonNotes 3439 | 34 |
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action Addison admiration aesthetic ancient appreciate Aristotle Arnold artist asserted Atkins beauty Ben Jonson Biographia Literaria blank verse century Chapter characters Chaucer classical Coleridge comedy creative drama dramatists Dryden emotions English Literary Criticism Epic Epic poetry Essay expression F. R. Leavis faculty fancy feel follow French genius Greek Homer Horace human I. A. Richards ibid idea images imagination imitation impression Johnson judge judgment language literature Longinus Matthew Arnold means metre Milton mind modern moral nature neo-classic rules neo-classical never noted objects observed Oscar Wilde passage passion plays pleasure plot poem poet poet's poetic diction poetry pointed Pope Preface principles produced proper prose readers reason rhyme romantic rules Saintsbury sense Shakespeare Shelley Sidney Spenser spirit stage style T. S. Eliot taste theory things thought three unities tion Tragedy understand unity Wimsatt and Brooks words Wordsworth writing