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Which Persian kings might envy; and thy meek
And gentle aspect oft hast [? hath] ministered 20
To finer uses. They for me must cease;

Days will pass on, the year, if years be given,
Fade, and the moralising mind derive
No lessons from the presence of a Power
By the inconstant nature we inherit
Unmatched in delicate beneficence;
For neither unremitting rains avail

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To swell thee into voice; nor longest drought
Thy bounty stints, nor can thy beauty mar,
Beauty not therefore wanting change to stir
The fancy pleased by spectacles unlooked for.
Nor yet, perchance, translucent Spring, had
tolled

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The Norman curfew bell when human hands
First offered help that the deficient rock
Might overarch thee, from pernicious heat
Defended, and appropriate to man's need.
Such ties will not be severed: but, when we
Are gone, what summer loiterer will regard,
Inquisitive, thy countenance, will peruse,
Pleased to detect the dimpling stir of life,
The breathing faculty with which thou yield'st
(Tho' a mere goblet to the careless eye)
Boons inexhaustible? Who, hurrying on
With a step quickened by November's cold,
Shall pause, the skill admiring that can work
Upon thy chance-defilements-withered twigs
That, lodged within thy crystal depths, seem bright,
As if they from a silver tree had fallen-
And oaken leaves that, driven by whirling blasts,
Sunk down, and lay immersed in dead repose
For Time's invisible tooth to prey upon.
Unsightly objects and uncoveted,

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Till thou with crystal bead-drops didst encrust
Their skeletons, turned to brilliant ornaments.
But, from thy bosom, should some venturous hand
Abstract those gleaming relics, and uplift them, 56
However gently, toward the vulgar air,

At once their tender brightness disappears,
Leaving the intermeddler to upbraid

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His folly. Thus (I feel it while I speak),
Thus, with the fibres of these thoughts it fares;
And oh! how much, of all that love creates
Or beautifies, like changes undergo,
Suffers like loss when drawn out of the soul,
Its silent laboratory! Words should say
(Could they depict the marvels of thy cell)
How often I have marked a plumy fern
From the live rock with grace inimitable
Bending its apex toward a paler self
Reflected all in perfect lineaments-
Shadow and substance kissing point to point
In mutual stillness; or, if some faint breeze
Entering the cell gave restlessness to one,
The other, glassed in thy unruffled breast,
Partook of every motion, met, retired,
And met again. Such playful sympathy,
Such delicate caress as in the shape
Of this green plant had aptly recompensed
For baffled lips and disappointed arms

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And hopeless pangs, the spirit of that youth,
The fair Narcissus by some pitying God

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Changed to a crimson flower; when he, whose pride Provoked a retribution too severe,

Had pined; upon his watery duplicate

Wasting that love the nymphs implored in vain. 85
Thus while my fancy wanders, thou, clear Spring,
Moved (shall I say?) like a dear friend who meets
A parting moment with her loveliest look,
And seemingly her happiest, look so fair
It frustrates its own purpose, and recalls

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The grieved one whom it meant to send away

Dost tempt me by disclosures exquisite

To linger, bending over thee: for now,

Palpable to sight as the dry ground,

What witchcraft, mild enchantress, may with thee Compare! thy earthly bed a moment past

Eludes perception, not by rippling air

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Concealed, nor through effect of some impure
Upstirring; but, abstracted by a charm
Of my own cunning, earth mysteriously

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From under thee hath vanished, and slant beams

The silent inquest of a western sun,
Assisting, lucid well-spring! Thou revealest

Communion without check of herbs and flowers
And the vault's hoary sides to which they cling, 105
Imaged in downward show; the flower, the herbs,
These not of earthly texture, and the vault
Not there diminutive, but through a scale
Of vision less and less distinct, descending
To gloom imperishable. So (if truths
The highest condescend to be set forth

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By processes minute), even so-when thought

Wins help from something greater than herself-
Is the firm basis of habitual sense

Supplanted, not for treacherous vacancy
And blank dissociation from a world

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We love, but that the residues of flesh,
Mirrored, yet not too strictly, may refine
To Spirit; for the idealising Soul

Time wears the features of Eternity;

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And Nature deepens into Nature's God.

Millions of kneeling Hindoos at this day

Bow to the watery element, adored

In their vast stream, and if an age hath been

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On thee, bright Spring, a bashful little one,

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Yet to the measure of thy promises

True, as the mightiest; upon thee, sequestered

For meditation, nor inopportune

For social interest such as I have shared.

Peace to the sober matron who shall dip

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Her pitcher here at early dawn, by me

No longer greeted-to the tottering sire,

For whom like service, now and then his choice, Relieves the tedious holiday of age

Thoughts raised above the Earth while here he

sits

Feeding on sunshine-to the blushing girl

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Who here forgets her errand, nothing loth
To be waylaid by her betrothed, peace
And pleasure sobered down to happiness!

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But should these hills be ranged by one whose
soul
Scorning love-whispers shrinks from love itself
As Fancy's snare for female vanity,

Here may the aspirant find a trysting-place
For loftier intercourse. The Muses crowned
With wreaths that have not faded to this hour 150
Sprung from high Jove, of sage Mnemosyne
Enamoured, so the fable runs; but they
Certes were self-taught damsels, scattered births
Of many a Grecian vale, who sought not praise,
And, heedless even of listeners, warbled out
Their own emotions given to mountain air

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In notes which mountain echoes would take up
Boldly and bear away to softer life;

Hence deified as sisters they were bound

Together in a never-dying choir;

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Who with their Hippocrene and grottoed fount
Of Castaly, attest that Woman's heart

Was in the limpid age of this stained world
The most assured seat of . . .

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And new-born waters, deemed the happiest source Of inspiration for the conscious lyre.

Lured by the crystal element in times

Stormy and fierce, the Maid of Arc withdrew

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From human converse to frequent alone
The Fountain of the Fairies. What to her,
Smooth summer dreams, old favours of the place,
Pageant and revels of blithe elves-to her
Whose country groan'd under a foreign scourge?
She pondered murmurs that attuned her ear
For the reception of far other sounds
Than their too happy minstrelsy,—a voice
Reached her with supernatural mandates charged
More awful than the chambers of dark earth
Have virtue to send forth. Upon the marge
Of the benignant fountain, while she stood
Gazing intensely, the translucent lymph
Darkened beneath the shadow of her thoughts

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As if swift clouds swept o'er [? over] it, or caught
War's tincture, 'mid the forest green and still,
Turned into blood before her heart-sick eye.
Erelong, forsaking all her natural haunts,
All her accustomed offices and cares
Relinquishing, but treasuring every law
And grace of feminine humanity,

The chosen rustic urged a warlike steed
Toward the beleaguered city, in the might
Of prophecy, accoutred to fulfil,

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At the sword's point, visions conceived in love.
The cloud of rooks descending through mid air
Softens its evening uproar towards a close
Near and more near; for this protracted strain
A warning not unwelcome. Fare thee well!
Emblem of equanimity and truth,

Farewell!-if thy composure be not ours,

Yet as thou still when we are gone wilt keep 200
Thy living chaplet of fresh flowers and fern,
Cherished in shade though peeped at by the sun;
So shall our bosoms feel a covert growth
Of grateful recollections, tribute due
To thy obscure and modest attributes

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To thee, dear Spring, and all-sustaining Heaven!

WRITTEN IN THE STRANGERS' BOOK AT "THE STATION," OPPOSITE BOWNESS.

The only apology for preserving this trifle which can be offered, is that it has already appeared in print, and something is added to our knowledge of Wordsworth by becoming aware that he could on an occasion be playful, or try to be playful, in rhyme. "The Strangers' Book at the Station" writes Professor Knight ("Life of Wordsworth," vol. ii. p. 373, note) contains the following: 'Lord and Lady Darlington, Lady Vane, Miss Taylor and Captain Stamp pronounce this Lake superior to Lac de Genève, Lago de Como, Lago Maggiore, L'Eau de Zurich, Loch Lomond, Loch Katerine, or the Lakes of Killarney.' On seeing the above Wordsworth wrote: "

My Lord and Lady Darlington,

I would not speak in snarling tone;

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