Elements of CriticismA.S. Barnes & Burr, 1859 - 486 頁 |
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第 1 到 5 筆結果,共 99 筆
第 10 頁
... former , I am conscious of being active ; with regard to the latter , I am conscious of being passive . 7. Again , we are conscious of internal action as in the head : of passions and emotions as in the heart . 8. Many actions may be ...
... former , I am conscious of being active ; with regard to the latter , I am conscious of being passive . 7. Again , we are conscious of internal action as in the head : of passions and emotions as in the heart . 8. Many actions may be ...
第 14 頁
... former it is taught to call motion ; the latter , rest . Place enters into every perception of a visible object : the object is perceived to exist , and to exist somewhere , on the right hand or on the left , and where it exists is ...
... former it is taught to call motion ; the latter , rest . Place enters into every perception of a visible object : the object is perceived to exist , and to exist somewhere , on the right hand or on the left , and where it exists is ...
第 18 頁
... former is more distinct and lively than the latter . But this inferiority in ideas of imagination , is more than compensated by their greatness and variety , which are boundless ; for by the imagination , exerted without control , we ...
... former is more distinct and lively than the latter . But this inferiority in ideas of imagination , is more than compensated by their greatness and variety , which are boundless ; for by the imagination , exerted without control , we ...
第 19 頁
... former disposes us to do good to its object , the latter to do ill . 33. What is a sentiment ? It is not a perception ; for a perception signifies the act by which we become conscious of external objects . It is not consciousness of an ...
... former disposes us to do good to its object , the latter to do ill . 33. What is a sentiment ? It is not a perception ; for a perception signifies the act by which we become conscious of external objects . It is not consciousness of an ...
第 24 頁
... former from that of the latter ; every feeling , pleasant or pain- ful , must be in the mind ; and yet , because in tasting , touching , and smelling , we are sensible of the impression made upon the organ , we are led to place there ...
... former from that of the latter ; every feeling , pleasant or pain- ful , must be in the mind ; and yet , because in tasting , touching , and smelling , we are sensible of the impression made upon the organ , we are led to place there ...
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常見字詞
A. S. BARNES accent action Æneid agreeable appear beauty blank verse burlesque Cæsar chapter circumstance colors congruity connected degree dignity disagreeable distinguished effect elevation emotion raised epic epic poem epic poetry example expression external signs Falstaff feeling figure figure of speech garden give grandeur habit hath Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression instances Julius Cæsar kind language less manner means melody metaphor mind motion nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perceptions person pleasant emotion pleasure poem poetry principle produce produceth proper propriety qualities reader reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule sense sensible sentiments Shakspeare sight simile sound spectator speech sublime syllables taste termed thee things thou thought tion tone uniformity variety verse words writers
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第 94 頁 - As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman! A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears; why she, even she, — O God ! a beast, that wants discourse of reason...
第 56 頁 - O, what a fall was there, my countrymen ! Then I, and you, and all of us fell down, Whilst bloody treason flourish'd over us. O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what weep you, when you but behold Our Caesar's vesture wounded ? Look you here ! Here is himself, marr'd, as you see, with traitors.
第 347 頁 - The current, that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But, when his fair course is not hindered, He makes sweet music with the enamel'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage ; And so by many winding nooks he strays, With willing sport, to the wild ocean...
第 92 頁 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
第 92 頁 - Help me, Cassius, or I sink.' I, as ./Eneas, our great ancestor, Did from the flames of Troy upon his shoulder The old Anchises bear...
第 213 頁 - MAN is the only animal that laughs and weeps ; for he is the only animal that is struck with the difference between what things are, and what they ought to be.
第 20 頁 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
第 349 頁 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
第 146 頁 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies ; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
第 349 頁 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.