 ... shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground, was firm but flexible, and whose motion, whether rapid or slow, was always perfect grace — agile as a nymph, lofty as a queen — now melting,...  The history of Henry Esmond, esq., written by himself. (By W.M. Thackeray). - 第 90 頁William Makepeace Thackeray 著 - 1852完整檢視 - 關於此書
 | 1854 - 718 頁
...queen, — now melting, now imperious, now sarcastic, there was no single moTement of hers but w»s beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon.' (Vol. ii. pp. 115, 116.) Beatrix is the only character in Esmond that interests ; but there are many... | |
 | William Makepeace Thackeray - 1852 - 698 頁
...agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes, feels young again, and remembers a paragon. So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | William Makepeace Thackeray - 1852 - 702 頁
...grace—agile as a nymph, lofty as a queen—now melting, now imperious, now sarcastic—there was no single movement of hers but was beautiful. As he thinks of...writes feels young again, and remembers a paragon. So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | 1852 - 516 頁
...agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes, feels young again, and remembers a paragon. So she came, holding her dress with one fair rounded arm, and her taper before her, tripping down the... | |
 | 1852 - 524 頁
...grace—agile as a nymph, lofty as a queen—now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes, feels young again, and remembers a paragon. So she came, holding her dress with one fair rounded arm, and her taper before her, tripping down the... | |
 | 1853 - 582 頁
...melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As be thinks of her, he who writes feels young again, and remembers a paragon. So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1853 - 814 頁
...agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastick, there was no single movement of hers but was beautiful. As he thinks of...writes feels young again, and remembers a paragon. ' So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | William Makepeace Thackeray - 1858 - 492 頁
...agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes feels young again, and remembers a paragon. So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | William Makepeace Thackeray - 1909 - 882 頁
...agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes feels young again, and remembers a paragon. So she came holding her dress with one fair rounded arm, and her taper before her, tripping down the stair... | |
 | Nassau William Senior - 1864 - 538 頁
...agile as a nymph, lofty as a queen, — now melting, now imperious, now sarcastic, there was no single movement of hers but was beautiful. As he thinks of...writes feels young again, and remembers a paragon. Beatrix is the only character in Esmond that interests ; but there are many that amuse. All of them,... | |
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