The Rabbinical Origin of Women

THEY tell us that Woman was made of a rib,

Just picked from a corner, so snug, in the side; But the Rabbins swear to you that this is a fib, And 'twas not so at all that the sex was supplied.

For old Adam was fashion'd, the first of his kind, With a tail like a monkey, full a yard and a span; And when Nature cut off this appendage behind, Why then woman was made of the tail of the man.

If such is the tie between women and men,
The ninny who weds is a pitiful elf;
For he takes to his tail, like an idiot, again,
And makes a most horrible ape of himself.

Yet, if we may judge, as the fashions prevail,
Every husband remembers th' original plan;
And, knowing his wife is no more than his tail,
Why he leaves her behind him as much as he can.

On Restoring a Lock of Hair

ON one sole condition, love, I might be led
With this beautiful ringlet to part;

I would gladly relinquish the lock of your head
Could I gain but the key to your heart.

Thomas L. Peacock

The Sleeping Venus

THE library of Crotchet Castle was a large and wellfurnished apartment, opening on one side into an ante-room, on the other into a music-room. It had several tables stationed at convenient distances; one consecrated to the novelties of literature, another to the novelties of embellishment; others unoccupied, and at the disposal of the company. The walls were covered with a copious collection of ancient and modern books; the ancient having been selected and arranged by the Reverend Doctor Folliott. In the ante-room were card-tables; in the music-room were various instruments, all popular operas, and all fashionable music. In this suite of apartments, and not in the drawing-room, were the evenings of Crotchet Castle usually passed.

The young ladies were in the music-room; Miss Crotchet at the piano, Lady Clarinda at the harp, playing and occasionally singing, at the suggestion of Mr. Trillo, portions of Matilde di Shabran." Lord Bossnowl was turning over the leaves for Miss Crotchet; the captain was performing the same office for Lady Clarinda, but with so much more attention to the lady than the book, that he often made sad work with the harmony, by turning over two leaves together. On these occasions Miss Crotchet paused, Lady Clarinda laughed, Mr. Trillo scolded, Lord Bossnowl yawned, the captain apologised, and the performance proceeded.

In the library Mr. Mac Quedy was expounding political economy to the Reverend Doctor Folliott, who was pro more demolishing its doctrines seriatim.

Mr. Chainmail was in hot dispute with Mr. Skionar, touching the physical and moral well-being of man. Mr. Skionar was enforcing his friend Mr. Shantsee's views of moral dis cipline; maintaining that the sole thing needful for man in this world was loyal and pious education; the giving men good books to read, and enough of the hornbook to read them; with a judicious interspersion of the lessons of Old Restraint, which was his poetic name for the parish stocks. Mr. Chainmail, on the other hand, stood up for the exclusive necessity of beef and ale, lodging and raiment, wife and children, courage to fight for them all, and armour wherewith to do so.

Mr. Henbane had got his face scratched, and his finger bitten, by the cat, in trying to catch her for a second experiment in killing and bringing to life; and Doctor Morbific was comforting him with a disquisition, to prove that there were only four animals having the power to communicate hydrophobia, of which the cat was one; and that it was not necessary that the animal should be in a rabid state, the nature of the wound being everything, and the idea of contagion a delusion. Mr. Henbane was listening very lugubriously to this dissertation.

Mr. Philpot had seized on Mr. Firedamp, and pinned him down to a map of Africa, on which he was tracing imaginary courses of mighty inland rivers, terminating in lakes and marshes, where they were finally evaporated by the heat of the sun; and Mr. Firedamp's hair was standing on end at the bare imagination of the mass of malaria that must be engendered by the operation. Mr. Toogood had begun explaining his diagrams to Sir Simon Steeltrap; but Sir Simon grew testy, and told Mr. Toogood that the promulgators of such doctrines ought to be consigned to the tread-mill. The

philanthropist walked off from the country gentleman, and proceeded to hold forth to young Crotchet, who stood silent, as one who listens, but in reality without hearing a syllable. Mr. Crotchet, senior, as the master of the house, was left to entertain himself with his own meditations, till the Reverend Doctor Folliott tore himself from Mr. Mac Quedy, and proceeded to expostulate with Mr. Crotchet on a delicate topic.

There was an Italian painter, who obtained the name of Il Bragatore, by the superinduction of inexpressibles on the naked Apollos and Bacchuses of his betters. The fame of this worthy remained one and indivisible, till a set of heads, which had been, by a too common mistake of nature's journeymen, stuck upon magisterial shoulders, as the Corinthian capitals of "fair round bellies with fat capon lined," but which nature herself had intended for the noddles of porcelain mandarins, promulgated simultaneously from the east and the west of London, an order that no plaster-of-Paris Venus should appear in the streets without petticoats. Mr. Crotchet, on reading this order in the evening paper, which, by the postman's early arrival, was always laid on his breakfast-table, determined to fill his house with Venuses of all sizes and kinds. In pursuance of this resolution, came packages by water-carriage, containing an infinite variety of Venuses. There were the Medicean Venus, and the Bathing Venus; the Uranian Venus, and the Pandemian Venus; the Crouching Venus, and the Sleeping Venus; the Venus rising from the sea, the Venus with the apple of Paris, and the Venus with the armour of Mars.

The Reverend Doctor Folliott had been very much astonished at this unexpected display. Disposed, as he was, to hold, that whatever had been in Greece was right; he was

more than doubtful of the propriety of throwing open the classical adytum to the illiterate profane. Whether, in his interior mind, he was at all influenced, either by the consideration that it would be for the credit of his cloth, with · some of his vice-suppressing neighbours, to be able to say that he had expostulated; or by curiosity, to try what sort of defence his city-bred friend, who knew the classics only by translations, and whose reason was always a little ahead of his knowledge, would make for his somewhat ostentatious display of liberality in matters of taste; is a question on which the learned may differ. But, after having duly deliberated on two full-sized casts of the Uranian and Pandemian Venus, in niches on each side of the chimney, and on three alabaster figures, in glass cases, on the mantelpiece, he proceeded, peirastically, to open his fire.

The Rev. Dr. Folliott. These little alabaster figures on the mantelpiece, Mr. Crotchet, and those large figures in the niches-may I take the liberty to ask you what they are intended to represent?

Mr. Crotchet. Venus, sir; nothing more, sir; just Venus. The Rev. Dr. Folliott. May I ask you, sir, why they are there?

Mr. Crotchet. To be looked at, sir; just to be looked at: the reasons for most things in a gentleman's house being in it at all; from the paper on the walls, and the drapery of the curtains, even to the books in the library, of which the most essential part is the appearance of the back.

The Rev. Dr. Folliott. Very true, sir. As great philosophers hold that the esse of things is percipi, so a gentleman's furniture exists to be looked at. Nevertheless, sir, there are some things more fit to be looked at than others; for instance, there is nothing more fit to be looked at than the outside of