Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 頁 This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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第 1 到 5 筆結果,共 86 筆
第 32 頁
... line 12 : " then shal the nygarde be no more called gentle , nor the churle ... line 5 ( " thine own bright eyes " ) , so effective after the regular iambic ... 11 ) , following Pooler ( 1918 ) : " what you contain ( i.e. potentiality ...
... line 12 : " then shal the nygarde be no more called gentle , nor the churle ... line 5 ( " thine own bright eyes " ) , so effective after the regular iambic ... 11 ) , following Pooler ( 1918 ) : " what you contain ( i.e. potentiality ...
第 33 頁
... 11 sum . . excuse complete my account and excuse my oldness ( Dowden ) 14 could cold ( sp . ) ... The first two ... line 3 , which helps to break the monotony of the iambs , but the abrupt change comes in line 8 , which begins with a ...
... 11 sum . . excuse complete my account and excuse my oldness ( Dowden ) 14 could cold ( sp . ) ... The first two ... line 3 , which helps to break the monotony of the iambs , but the abrupt change comes in line 8 , which begins with a ...
第 34 頁
... line 11 , he notes that " make my old excuse " means , " serve as my defence in my old age . " Tucker ( 1924 ) notes the military metaphor in lines 1 and 2 , which con- tributes to the harshness of the opening tone . T. R. Price ( 1902 ...
... line 11 , he notes that " make my old excuse " means , " serve as my defence in my old age . " Tucker ( 1924 ) notes the military metaphor in lines 1 and 2 , which con- tributes to the harshness of the opening tone . T. R. Price ( 1902 ...
第 37 頁
... line 11 seems redundant . She goes on to suggest that this " underlines the searching nature of the question . " I prefer to see it as Shakespearean carelessness . Here , we have a change in gram- mar in line 12 , where we expect " An ...
... line 11 seems redundant . She goes on to suggest that this " underlines the searching nature of the question . " I prefer to see it as Shakespearean carelessness . Here , we have a change in gram- mar in line 12 , where we expect " An ...
第 42 頁
... 11 fore before ( schmidt ) ; con- verted turned away ( Onions ) 12 tract ... line 7 ] the whole diurnal course of the sun , com- paring it to human life ... line 7 serves simply as an emphatic with " still " at the end , not implying , as ...
... 11 fore before ( schmidt ) ; con- verted turned away ( Onions ) 12 tract ... line 7 ] the whole diurnal course of the sun , com- paring it to human life ... line 7 serves simply as an emphatic with " still " at the end , not implying , as ...
內容
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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常見字詞
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM