Shakespeare's Sonnets: With Three Hundred Years of CommentaryAssociated University Presse, 2007 - 404 頁 This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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第 1 到 5 筆結果,共 54 筆
第 13 頁
... final stage of imaginative love , it " becomes devoted to the one object in which it sees ... all the imaginary properties of beauty to be individualized . " In ideal love , the beloved , in whom the idea of beauty has been ...
... final stage of imaginative love , it " becomes devoted to the one object in which it sees ... all the imaginary properties of beauty to be individualized . " In ideal love , the beloved , in whom the idea of beauty has been ...
第 22 頁
... final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 and 32.2 , the lines just fit , but only without the final ...
... final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 and 32.2 , the lines just fit , but only without the final ...
第 27 頁
... final -ed of past participles was generally pronounced as a syllable . However , Ramsey ( 1979 , 202 ) lists the following twelve instances of non - syllabic endings for the past participle ( here and throughout the textual notes and ...
... final -ed of past participles was generally pronounced as a syllable . However , Ramsey ( 1979 , 202 ) lists the following twelve instances of non - syllabic endings for the past participle ( here and throughout the textual notes and ...
第 32 頁
... final point . Shakespeare attempts this effect frequently . Here , it works quite well . Rollins notes that the final line is the first one made up of ten monosyllables " and such lines make up approximately one - tenth of the total ...
... final point . Shakespeare attempts this effect frequently . Here , it works quite well . Rollins notes that the final line is the first one made up of ten monosyllables " and such lines make up approximately one - tenth of the total ...
第 41 頁
... final threat of death's conquest and base worms , which the youth is implored to avoid . The theme of the superiority of the distilled rose is echoed in Midsummer Night's Dream 1.1.76-78 [ TLN 85-87 ] ( as noted by Malone 1780 ) : But ...
... final threat of death's conquest and base worms , which the youth is implored to avoid . The theme of the superiority of the distilled rose is echoed in Midsummer Night's Dream 1.1.76-78 [ TLN 85-87 ] ( as noted by Malone 1780 ) : But ...
內容
31 | |
Appendix 1 Editions Referenced | 378 |
Appendix 2 Emendations | 380 |
Appendix 3 Extant Copies of the 1609 Quarto | 383 |
Bibliography | 384 |
General Index to Introduction and Commentary | 393 |
Index of First Lines | 401 |
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常見字詞
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests sweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM