Romantic Psychoanalysis: The Burden of the MysteryState University of New York Press, 2009年1月8日 - 333 頁 In this provocative work, Joel Faflak argues that Romanticism, particularly British Romantic poetry, invents psychoanalysis in advance of Freud. The Romantic period has long been treated as a time of incipient psychological exploration anticipating more sophisticated discoveries in the science of the mind. Romantic Psychoanalysis challenges this assumption by treating psychoanalysis in the Romantic period as a discovery unto itself, a way of taking Freud back to his future. Reading Romantic literature against eighteenth- and nineteenth-century philosophy, Faflak contends that Romantic poetry and prose—including works by Coleridge, De Quincey, Keats, and Wordsworth—remind a later psychoanalysis of its fundamental matrix in phantasy and thus of its profoundly literary nature. |
內容
| 1 | |
1 THE PSYCHOLOGY OF THEROMANTIC SUBJECT | 31 |
2 ANALYSIS TERMINABLE IN WORDSWORTH | 75 |
3 ANALYSIS TERMINABLE IN COLERIDGE | 115 |
4 DE QUINCEY TERMINABLE AND INTERMINABLE | 151 |
5 KEATS AND THE BURDEN OF INTERMINABILITY | 199 |
NOTES | 233 |
BIBLIOGRAPHY | 291 |
INDEX | 309 |
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常見字詞
abject absent psychosomatic body aesthetic ambivalence analysand analysis analytical Ancient Mariner Apollo Apollonian argues associationism attempt Autobiography Biographia Biographia Literaria choanalysis Christabel cogito Coleridge Coleridge's Confessions confronts consciousness contemplation cure Dark Interpreter Dionysian Dionysus dream Edited emerges empiricism encounter Endymion Enlightenment evokes Fall of Hyperion Freud Freudian gender grief human Hyperion identity imagination imagination's inability interiority interminable Kant Keats Keats's Kristeva literary lyric Margaret's mesmerism metaphysics mind mirror stage narrative Narrator nature Nietzsche opium organicism pathology Pedlar philosophy poem poet poetic poetry potential Prelude primal scene psyche psychic psychic determinism psychology Quincey's radical rational reason Recluse repetition repressed resistance Romantic psychoanalysis Romanticism Ruined Cottage Samuel Taylor Coleridge Schopenhauer self-making semiotic sense signifies solitude soul stage sublime suffering suggests Suspiria Symbolic symptom symptomatic telling text's textual Thomas De Quincey thought tion transcendental transference trauma unconscious University Press William Wordsworth Wordsworth Wordsworthian writes
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第 43 頁 - The mind is a kind of theatre, where several perceptions successively make their appearance ; pass, repass, glide away, and mingle in an infinite variety of postures and situations.
第 95 頁 - How exquisitely the individual Mind (And the progressive powers perhaps no less Of the whole species) to the external World Is fitted: — and how exquisitely, too — Theme this but little heard of among men — The external World is fitted to the Mind; And the creation (by no lower name Can it be called) which they with blended might Accomplish: — this is our high argument.
第 41 頁 - If any impression gives rise to the idea of self, that impression must continue invariably the same, through the whole course of our lives; since self is supposed to exist after that manner. But there is no impression constant and invariable. Pain and pleasure, grief and joy, passions and sensations succeed each other, and never all exist at the same time. It cannot, therefore, be from any of these impressions, or from any other, that the idea of self is derived; and consequently there is no such...
第 60 頁 - The case had attracted the particular attention of a young physician, and by his statement many eminent physiologists and psychologists visited the town, and cross-examined the case on the spot. Sheets full of her ravings were taken down from her own mouth, and were found to consist of sentences, coherent and intelligible each for itself, but with little or no connection with each other. Of the Hebrew, a small portion only could be traced to the Bible, the remainder seemed to be in the Rabbinical...
第 137 頁 - Now mixed, now one by one. Sometimes a-dropping from the sky I heard the sky-lark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning!
第 59 頁 - The primary imagination I hold to be the living power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
第 99 頁 - Was it for this That one, the fairest of all rivers, loved To blend his murmurs with my nurse's song, And, from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flowed along my dreams?
第 91 頁 - Instruct them how the mind of man becomes A thousand times more beautiful than the earth On which he dwells...