Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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第 1 到 5 筆結果,共 53 筆
第 頁
... Tragedies 10 Last Plays Conclusion Notes Index page I 17 33 49 71 83 95 109 121 139 161 163 168 Line references from Shakespeare's plays are from the New Arden editions . For plays not yet published in that series , the Globe edition ...
... Tragedies 10 Last Plays Conclusion Notes Index page I 17 33 49 71 83 95 109 121 139 161 163 168 Line references from Shakespeare's plays are from the New Arden editions . For plays not yet published in that series , the Globe edition ...
第 5 頁
... tragedy , it provides a connected language for what affects people most deeply . It is the property of drama that to participate in its life is to be charged with its power for a long time after one has left the theatre - if the play is ...
... tragedy , it provides a connected language for what affects people most deeply . It is the property of drama that to participate in its life is to be charged with its power for a long time after one has left the theatre - if the play is ...
第 6 頁
... tragedies , there is not the same restoration of what has been lost , and we see that the consoling patterns of art do ... tragedy : loss and defeat assume a semireligious grandeur . An obvious objection to the notion that art exists in ...
... tragedies , there is not the same restoration of what has been lost , and we see that the consoling patterns of art do ... tragedy : loss and defeat assume a semireligious grandeur . An obvious objection to the notion that art exists in ...
第 7 頁
... tragedies will still unsettle us every time it is played or read . There is , I think , no real incompatibility between disturbance and consolation . The gap in the consolation theory comes when the writer denies that he has any ...
... tragedies will still unsettle us every time it is played or read . There is , I think , no real incompatibility between disturbance and consolation . The gap in the consolation theory comes when the writer denies that he has any ...
第 8 頁
... tragedy should give a kind of relief . The perpetual movement of man towards what is coherent and pleasing , Swift called madness . He was aware , if anyone was , of the dark lake , and it was for him not a figment of our fear , but ...
... tragedy should give a kind of relief . The perpetual movement of man towards what is coherent and pleasing , Swift called madness . He was aware , if anyone was , of the dark lake , and it was for him not a figment of our fear , but ...
內容
1 | |
17 | |
Loves Labours Lost | 33 |
The Abandond Cave | 49 |
Romeo and Juliet | 71 |
Hamlet | 83 |
The Problem Plays i | 95 |
The Problem Plays ii | 109 |
The Jacobean Tragedies | 121 |
Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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