Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
搜尋書籍內容
第 1 到 5 筆結果,共 49 筆
第 3 頁
... suggest meaning and direction . We are all the time selecting from and simplifying the complex of experience and turning it into convenient patterns : if we cannot see that we are doing it ourselves , we can listen to the man next door ...
... suggest meaning and direction . We are all the time selecting from and simplifying the complex of experience and turning it into convenient patterns : if we cannot see that we are doing it ourselves , we can listen to the man next door ...
第 4 頁
... suggest that the reason why men turn so eagerly from the thing itself to an ikon or a myth , from the disordered manifold to the articulated representation , is their need for assurance and consolation may seem to put us in the class of ...
... suggest that the reason why men turn so eagerly from the thing itself to an ikon or a myth , from the disordered manifold to the articulated representation , is their need for assurance and consolation may seem to put us in the class of ...
第 5 頁
... suggestion of proper cause and effect . Whether it is comedy or tragedy , it provides a connected language for what affects people most deeply . It is the property of drama that to participate in its life is to be charged with its power ...
... suggestion of proper cause and effect . Whether it is comedy or tragedy , it provides a connected language for what affects people most deeply . It is the property of drama that to participate in its life is to be charged with its power ...
第 6 頁
... suggest that these stories , as they are acted out before us , have something of the power that older rites had to excite men with the feeling that deprivation , decay and death were part of a grand seasonal necessity . These plays ...
... suggest that these stories , as they are acted out before us , have something of the power that older rites had to excite men with the feeling that deprivation , decay and death were part of a grand seasonal necessity . These plays ...
第 9 頁
... suggest it is ( Swift ? ) , or that we have a ready way by reason or observation ( Plato , Bacon ) to establish the patterns and laws and the very condition of our existence , and so can dispense with the structures which art provides ...
... suggest it is ( Swift ? ) , or that we have a ready way by reason or observation ( Plato , Bacon ) to establish the patterns and laws and the very condition of our existence , and so can dispense with the structures which art provides ...
內容
1 | |
17 | |
Loves Labours Lost | 33 |
The Abandond Cave | 49 |
Romeo and Juliet | 71 |
Hamlet | 83 |
The Problem Plays i | 95 |
The Problem Plays ii | 109 |
The Jacobean Tragedies | 121 |
Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
其他版本 - 查看全部
常見字詞
accept achieved action affection attempt audience beauty becomes beginning believe Berowne bring changed characters comedy comes continuous course created dark death desire divine Dream Duke experience eyes fact failure feel final follow force Friar give Hamlet hate heaven human idea imagination innocence Jaques killing kind king Lear lives Lost Love's lovers lust marriage meaning Measure Measure for Measure mind move nature never Night Othello pattern Pericles person play poem poet poetry possible present problem question reality reason relation Romeo and Juliet scene seems seen sense sequence sexual Shakespeare sonnets speak speech spirit stage story strange suggest surely Tale Tempest Theseus things thou thought Timon tragedy Troilus and Cressida true truth trying turn Ulysses wants whole wish woman writing