Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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第 1 到 5 筆結果,共 33 筆
第 2 頁
... spirit of man wants a more ample greatness , a more exact goodness , and a more absolute variety , than can be found in the nature of things . ' Poetry ' was ever thought to have some participation of divineness , because it doth raise ...
... spirit of man wants a more ample greatness , a more exact goodness , and a more absolute variety , than can be found in the nature of things . ' Poetry ' was ever thought to have some participation of divineness , because it doth raise ...
第 6 頁
... spirits like pharmakos and sparagmos . But I think it is fair to suggest that these stories , as they are acted out before us , have something of the power that older rites had to excite men with the feeling that deprivation , decay and ...
... spirits like pharmakos and sparagmos . But I think it is fair to suggest that these stories , as they are acted out before us , have something of the power that older rites had to excite men with the feeling that deprivation , decay and ...
第 15 頁
... spirit might simply give up . But , for Shakespeare , the pulsing of the contrary valuations of the epic and the burlesque visions seems to - have kept him at it . Nothing but perpetually working at the work that was always inadequate ...
... spirit might simply give up . But , for Shakespeare , the pulsing of the contrary valuations of the epic and the burlesque visions seems to - have kept him at it . Nothing but perpetually working at the work that was always inadequate ...
第 17 頁
... spirit in a waste of shame ' ( 129 ) ; ' Two loves I have of comfort and despair ' ( 144 ) ; ' Poor soul the centre of my sinful earth ' ( 146 ) . They can claim with reason that the poetry is not suffering in their eyes through the ...
... spirit in a waste of shame ' ( 129 ) ; ' Two loves I have of comfort and despair ' ( 144 ) ; ' Poor soul the centre of my sinful earth ' ( 146 ) . They can claim with reason that the poetry is not suffering in their eyes through the ...
第 20 頁
... spirits do suggest me still : The better angel is a man right fair , The worser spirit a woman coloured ill . To win me soon to hell , my female evil Tempteth my better angel from my side , And would corrupt my saint to be a devil ...
... spirits do suggest me still : The better angel is a man right fair , The worser spirit a woman coloured ill . To win me soon to hell , my female evil Tempteth my better angel from my side , And would corrupt my saint to be a devil ...
內容
1 | |
17 | |
Loves Labours Lost | 33 |
The Abandond Cave | 49 |
Romeo and Juliet | 71 |
Hamlet | 83 |
The Problem Plays i | 95 |
The Problem Plays ii | 109 |
The Jacobean Tragedies | 121 |
Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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