Shakespeare and the Confines of ArtRoutledge, 2013年10月11日 - 184 頁 First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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第 1 到 5 筆結果,共 30 筆
第 頁
... Character of Hamlet Baxter Berry Bradbrook Brennan Brown Clemen Clemen Clemen Clemen Duthie Edwards Ellis - Fermor Ellis - Fermor Evans Foakes Foakes Fraser Frye Gibson Griffith Hawkes Henn Kermode Leishman Mack Muir Muir Muir Muir & O ...
... Character of Hamlet Baxter Berry Bradbrook Brennan Brown Clemen Clemen Clemen Clemen Duthie Edwards Ellis - Fermor Ellis - Fermor Evans Foakes Foakes Fraser Frye Gibson Griffith Hawkes Henn Kermode Leishman Mack Muir Muir Muir Muir & O ...
第 3 頁
... characters , it is the purpose of this book to inquire , but he would hardly have been human had he not , on one and the same day , had faith in his art and scoffed at it too . Though thinkers divide on the value of art , there seems to ...
... characters , it is the purpose of this book to inquire , but he would hardly have been human had he not , on one and the same day , had faith in his art and scoffed at it too . Though thinkers divide on the value of art , there seems to ...
第 11 頁
... characters speak different languages , were brought up in different moral worlds , face entirely new difficulties -- just could not belong in the neighbouring play . In each play a different mind seems to be creating a different world ...
... characters speak different languages , were brought up in different moral worlds , face entirely new difficulties -- just could not belong in the neighbouring play . In each play a different mind seems to be creating a different world ...
第 12 頁
... characters in The Merchant of Venice and Othello . Whatever else Shakespeare's adherence to the unpromising conventions of romance suggests to us , it certainly implies a determination to get something right . There is considerable ...
... characters in The Merchant of Venice and Othello . Whatever else Shakespeare's adherence to the unpromising conventions of romance suggests to us , it certainly implies a determination to get something right . There is considerable ...
第 13 頁
... the purpose of comedy to give : but it may seem to its author a facile fiction when he thinks of the reality of the difficulties he has allowed his characters to triumph over . The bitterness of a tragedy may be The Contrary Valuations 13.
... the purpose of comedy to give : but it may seem to its author a facile fiction when he thinks of the reality of the difficulties he has allowed his characters to triumph over . The bitterness of a tragedy may be The Contrary Valuations 13.
內容
1 | |
17 | |
Loves Labours Lost | 33 |
The Abandond Cave | 49 |
Romeo and Juliet | 71 |
Hamlet | 83 |
The Problem Plays i | 95 |
The Problem Plays ii | 109 |
The Jacobean Tragedies | 121 |
Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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