TO INEZ. 1. NAY, Smile not at my sullen brow; Shouldst weep, and haply weep in vain. 2 And dost thou ask what secret woe 3. It is not love, it is not hate, Nor low Ambition's honours lost, 4. It is that weariness which springs 5. It is that settled, ceaseless gloom The fabled Hebrew wanderer bore ; That will not look beyond the tomb, But cannot hope for rest before. 6. What exile from himself can flee ?1 To zones though more and more remote, 1 ["What exile from nimself can flee? To other zones, howe'er remote, Still, still pursuing clings to me The blight of life-the demon Thought.”—MS.] 1 [" Still, still pursues, where'er I be, The blight of life-the demon Thought.1 7. Yet others rapt in pleasure seem, And taste of all that I forsake 8. Through many a clime 'tis mine to go, Whate'er betides, I've known the worst. 9. What is that worst? Nay, do not ask— Smile on-nor venture to unmask Man's heart, and view the hell that's there." "Written January 25, 1810."-MS.] 2 [In place of this song, which was written at Athens, January 25, 1810, and which contains, as Moore says, "some of the dreariest touches of sadness that ever Byron's pen let fall," we find, in the first draught of the Canto, the following: Prometheus-like, from heaven she stole The fire, that through those silken lashes From eyes that cannot hide their flashes: LXXXV. Adieu, fair Cadiz ! yea, a long adieu! Who may forget how well thy walls have stood? And as along her bosom steal In lengthen'd flow her raven tresses, 3. Our English maids are long to woo, Their lips are slow at Love's confession: But born beneath a brighter sun, For love ordain'd the Spanish maid is, 4. The Spanish maid is no coquette, And if she love, or if she hate, Alike she knows not to dissemble. And, though it will not bend to gold, "Twill love you long and love you dearly. 5. The Spanish girl that meets your love For every thought is bent to prove She dares the deed and shares the danger; And should her lover press the plain, She hurls the spear, her love's avenger. Some native blood was seen thy streets to dye; A traitor only fell beneath the feud :1 Here all were noble, save Nobility; None hugg'da conqueror's chain, save fallen Chivalry! LXXXVI. Such be the sons of Spain, and strange her fate! Fond of a land which gave them naught but life, 6. And when, beneath the evening star, Or sings to her attuned guitar Of Christian knight or Moorish hero, Or counts her beads with fairy hand Or joins devotion's choral band, To chant the sweet and hallow'd vesper ; 7. In each her charms the heart must move May match the dark-eyed girl of Cadiz. 1 Alluding to the conduct and death of Solano, the governor of Cadiz, in May, 1809. 2 "War to the knife." at the siege of Saragoza. Palafox's answer to the French general [In his proclamations, also, he stated, So LXXXVII. Ye, who would more of Spain and Spaniards know, War mouldeth there each weapon to his need— that, should the French commit any robberies, devastations, and murders, no quarter should be given them. The dogs by whom he was beset, he said, scarcely left him time to clean his sword from their blood, but they still found their grave at Saragoza. All his addresses were in the same spirit. "His language,” says Mr. Southey, "had the high tone, and something of the inflation of Spanish romance, suiting the character of those to whom it was directed." See History of the Peninsular War, vol. iii. p. 152.] 1 The Canto, in the original MS., closes with the following stanzas: Ye who would more of Spain and Spaniards know, Are they not written in the Book of Carr,* Hear what he did, and sought, and wrote afar; This borrow, steal,-don't buy,—and tell us what you think. There may you read, with spectacles on eyes, How many troops y-crossed the laughing main : * Porphyry said, that the prophecies of Daniel were written after their completion, and such may be my fate here; but it requires no second sight to foretel a tome the first glimpse of the knight was enough. [In a letter written from Gibraltar, August 6, 1809, to his friend Hodgson, Lord Byron says, "I have seen Sir John Carr at Seville and Cadiz; and, like Swift's barber, have been down on my knees to beg he would not put me into black and white."] |