THE LOST HUNTER. Numb'd by the piercing, freezing air, The hours were speeding in their flight, Oft did he stoop a listening ear, His sinuous path, by blazes, wound An antler'd dweller of the wild Had met his eager gaze, And far his wandering steps beguiled Within an unknown maze; Stream, rock, and run-way he had cross'd, By which he used to roam; And now deep swamp and wild ravine A dusky haze, which slow had crept Faster and faster, till between The trunks and boughs a mottled screen rican life at a time when the red man waged war with the European settlers, he has skilfully preserved that distinctive reality in ideas, habits, and actions ebaracteristic of the Indian tribes, while he has constructed a poem of singular power and beauty. In this respect Frontenac is entirely different from 'Gertrude of Wyoming,' which presents us only with the ideal portraiture. Mr. Street has collected all his materials from nature. They are stamped with that impress of truth which is at once visible even to the inexperienced eye, and, like a great artist, he has exercised his imagination only in forming them into the most attractive, picturesque, and beautiful combinations." The laurel tufts, that drooping hung And, bursting with a roar, and shock As o'er it whistled, shriek'd, and hiss'd, Here, plunging in a billowy wreath, The suffering hunter gasp'd for breath, At every blast an icy dart Seem'd through his nerves to fly, Reason forsook her shatter'd throne:- He heard the deer's low bleat; It changed;-his cabin roof o'erspread, Gleam'd in the crackling fire, that shed His wife had clasp'd his hand, and now The hound crouch'd, dozing, near the blaze, That pass'd;-before his swimming sight And a soft voice, with wild delight, No, hunter, no! 'tis but the streak Of whirling snow,-the tempest's shriek,No human aid is near! Never again that form will meet Thy clasp'd embrace,-those accents sweet Speak music to thine ear. Morn broke-away the clouds were chased, And on its blue the branches traced And, scatter'd round, low points of green, In a deep hollow, drifted high, A diamond blaze it shone; Unsullied, smooth, and fair It seem'd, like other mounds, where trunk Spring came with wakening breezes bland, Soft suns, and melting rains, And, touch'd by her Ithuriel wand, Earth bursts its winter-chains. In a deep nook, where moss and grass A mother, kneeling with her child, FRANCES SARGENT OSGOOD, 1812-1850. FRANCES SARGENT OSGOOD was the daughter of Joseph Locke, a merchant of Boston, and was born in that city about the year 1812. Her early life was passed principally in Hingham, a beautiful village on the shores of Massachusetts Bay; and here she early displayed that poetical genius which has given her a place among our best poets for delicate fancy, and ease and naturalness of versification. Her first printed productions appeared in Mrs. L. M. Child's “Juvenile Miscellany," when she was about seventeen years of age. Soon after this, she wrote for the "Ladies' Magazine," edited by Mrs. Sarah J. Hale, under the signature of "Florence." In 1835, she was married to Mr. Samuel S. Osgood, an artist of distinction and of cultivated literary taste, who fully appreciated the genius of his wife. Soon after their marriage, they went to London, where Mr. Osgood received great encouragement in the exercise of his art, while his wife published a small volume called The Casket of Fate, and also a collection of her poems, under the title of A Wreath of Wild Flowers from New England, both of which were much admired, and favorably noticed in some of the leading literary journals. In 1840, Mr. and Mrs. Osgood returned to the United States, and, after being some time in Boston, took up their residence in New York. Here she wrote continually for the magazines, and edited The Poetry of Flowers and the Flowers of Poetry," and "The Floral Offering," two richly-illustrated souvenirs. But her health began gradually to decline, and in the winter of 1847-48, she was so much of an invalid as to be confined to the house. Her husband's health, also, was feeble, and he was advised to seek a change of climate. The next year, as his wife's health improved, Mr. Osgood sailed for California, with fine prospects there in the line of his profession. He returned early in 1850, with his fortunes as well as health improved, but just in time to be with his wife in the last few weeks of her life; for, five days after, she breathed her last, on the 12th of May. Her remains were removed to Boston, and laid beside those of her mother and daughter, at Mount Auburn, on Wednesday of the same week.2 NEW ENGLAND'S MOUNTAIN-CHILD. Where foams the fall-a tameless storm- 1 Mrs. Anna Maria Wells, her half-sister, on her mother's side, was no mean poetess; and Mr. A. A. Locke, her brother, was a fine writer, both in prose and verse, and a contributor for many years to some of the Boston journals. 2 Of the character of her poetry Edgar A. Poe thus writes:-" Mrs. Osgood has a rich fancy, even a rich imagination,-a scrupulous taste, a faultless style, and an ear finely attuned to the delicacies of melody. In that vague and anomalous something which we call grace for want of a more definite term, and which, perhaps, in its supreme development, may be found to comprehend nearly all that is genuine poetry,-in this magical quality-magical because at once so shadowy and so irresistible,-Mrs. Osgood has assure lly no superior in America, if indeed she has any equal under the sun.' She binds not her luxuriant hair She clasps no golden zone of pride And thus attired,- -a sportive thing, Pure, loving, guileless, bright, and wild,— She scorns to sell her rich, warm heart And, once bestow'd, no fortune-change Her foot will bound as light and free In lowly hut, as palace-hall; Her sunny smile as warm will be,- Hast seen where in our woodland-gloom A MOTHER'S PRAYER IN ILLNESS. Yes, take them first, my Father! Let my doves Their young hearts here, their innocent, thoughtless hearts! My May! my careless, ardent-temper'd May, With her clear, flutelike voice, "Do you love me?" To answer her and meet her warm caress! |