The Spectator, 第 9 卷
E. Sargeant, M. & W. Ward, Munroe, Francis & Parker, and Edward Cotton, Boston, 1810
讀者評論 - 撰寫評論
其他版本 - 查看全部
able acquaintance actions admirable advantage agreeable appear beautiful behaviour body characters circumstances common concern consider conversation described desire evil express fall frequent give given hands happiness head hear heart honour hope human humble servant humour imagination kind labour lady late leap learned least less letters live look mankind manner matter means meet mention merit mind nature never NOVEMBER object oblige observed occasion particular pass passion perhaps person pleased pleasure poet present proper raise reader reason received represented seems seen sense shew short sometimes soon soul speak SPECTATOR speculation spirit taken talk tell temper thing thought tion town translation turn virtue whole wife woman write young
第 264 頁 - Euphrosyne, And by men, heart-easing Mirth, Whom lovely Venus at a birth With two sister Graces more To ivy-crowned Bacchus bore...
第 263 頁 - Burlesque is therefore of two kinds; the first represents mean persons in the accoutrements of heroes, the other describes great persons acting and speaking like the basest among the people.
第 283 頁 - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th...
第 152 頁 - There are many more shining qualities in the mind of man, but there is none so useful as discretion; it is this indeed which gives a value to all the rest, which sets them at work in their proper times and places, and turns them to the advantage of the person who is possessed of them. \\ ithout it, learning is pedantry...
第 281 頁 - I am sorry to find that an author, who is very justly esteemed among the best judges, has admitted some strokes of this nature into a very fine poem ; I mean the Art of Criticism *, which was published some months since, and is a master-piece in its kind. The observations follow one another like those in Horace's Art of Poetry, without that methodical regularity which would have been requisite in a prose author.
第 263 頁 - The talent of turning men into ridicule, and exposing to laughter those one converses with, is the qualification of little ungenerous tempers. A young man with this cast of mind cuts himself off from all manner of improvement. Every one has his flaws and weaknesses ; nay, the greatest blemishes are often found in the most shining characters ; but what an absurd thing is it to pass over all the valuable parts of a man, and fix our attention on his infirmities ? to observe his imperfections more than...
第 264 頁 - Jest, and youthful jollity, Quips, and cranks, and wanton wiles, Nods, and becks, and wreathed smiles Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides: Come, and trip it as you go On the light fantastic toe; And in thy right hand lead with thee The mountain nymph, sweet Liberty; And if I give thee honour due, Mirth, admit me of thy crew, To live with her, and live with thee In unreprove'd pleasures free...
第 96 頁 - Intention, we shall find that it destroys the Merit of a Good Action; abates, but never takes away, the 'Malignity of an Evil Action ; and leaves an Indifferent Action in its natural state of Indifference. It is therefore of unspeakable Advantage to possess our Minds with an habitual Good Intention, and to aim all our Thoughts, Words and Actions at some laudable End, whether it be the Glory of our Maker, the Good of Mankind, or the Benefit of our own Souls.
第 220 頁 - A man who is furnished with arguments from the mint, will convince his antagonist much sooner than one who draws them from reason and philosophy. Gold is a wonderful clearer of the understanding; it dissipates every doubt and scruple in an instant ; accommodates itself to the meanest capacities ; silences the loud and clamorous, and brings over the most: obstinate and inflexible.
第 106 頁 - ... the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone, the sculptor only finds it. What sculpture is to a block of marble, education is to an human soul.