Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Grou, 1992 - 214 頁 Preeminent voice teacher, actor and director Kristin Linklater goes beyond the techniques in her classic text, Freeing the natural voice, to a passionate exploration of the words of William Shakespeare. Using copious examples from the canon, including chapters on Shakespeare's relevance in today's world, Linklater gives us the tools to increase understanding and to make Shakespeare's words our own. |
內容
Introduction | 3 |
Vowels and Consonants | 11 |
Bawdry Thees Thous and Yous | 99 |
Iambic Pentameter | 121 |
Rhyme | 141 |
Verse and Prose Alternation | 173 |
Todays Actor in Shakespeares World | 187 |
Shakespeares Voice in Todays World | 193 |
Which Voice? The Texts | 204 |
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action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio four lines Hamlet hand hath hear heart heaven hell human iamb iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Love's Labour's Lost Macbeth meaning mouth murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose Queen rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story stress strong syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth verse vibrations Viola voice vowels and consonants William Shakespeare Winter's Tale