Crosscurrents: Transatlantic Perspectives on Early Modern Hispanic Drama

封面
Mindy Badía, Bonnie L. Gasior
Bucknell University Press, 2006 - 175 頁
The term "crosscurrents" seems especially fitting for a volume of essays that explores the cultural exchanges that resulted from the encounter between Spain and the New World. The nautical metaphor alludes to the actual crossing of ships that occurred during the discovery, conquest, and colonization of the Americas by the Spanish as it emphasizes the changes that occurred at these cultural intersections.
 

內容

The Permeability of Culture Identity and Discourse in Early Modern Hispanic Drama
13
The Cultural Implications of the Aztecs Chocolate from Tirso de Molina to Agustin Moreto and Pedro Lanini y Sagredo
25
Cultural Alterity in Santa Rosa del Perú
40
Transatlantic Performances of Hybridity in Sor Juanas Baroque Festival Los empeños de una casa
64
Picaros Saints and the New World in Cervantess El rufidn dichoso
85
An Inquiry into Redemptive Hegemony and Its Dissolution
104
Colonial Imbalances of Old Cañizares
124
The Transatlantic Trading of Money and Desire in Tirso de Molinas La villana de Vallecas
144
Note on Contributors
163
Index
167
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第 15 頁 - The two worlds, which God had cast asunder, were reunited, and the two worlds, which were so very different, began on that day to become alike. That trend toward biological homogeneity is one of the most important aspects of the history of life on this planet since the retreat of the continental glaciers.

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