O! may her social rules instructive spread, Till Truth erect her long-neglected head; Till, through deceitful Night she dart her ray, And beam, full glorious, in the blaze of day! Till man by virtuous maxims learn to move; Till all the peopled world her laws approve, And the whole human race be bound in brother's love. PROLOGUES AND EPILOGUES. For faults that flow from habit more than nature, We'll blend, with honest mirth, some wholesome satire. Now for our bark-the vessel's tight and able! New built!-new rigg'd!-[Pointing to the scenes] with canvass-mast-and cable! Let her not sink,—or be unkindly stranded, Before the moral freight be fairly landed! For though with heart and hand we heave together, "Tis your kind plaudit must command the weather: Nor halcyon seas,-nor gentle gales attend us, Till this fair circle with their smiles befriend us. A PROLOGUE, SPOKE AT THE OPENING Of the theatrE AT YORK, AFTER IT WAS ELEGANTLY ENlarged. ONCE on a time his earthly rounds patrolling, Jove rambled near the cot of kind Philemon, Philemon plac'd his godship close beside him, Taste, like great Jupiter, came here to try us, (Oft from the boxes we perceiv'd her spy us) Whether she lik'd us and our warm endeavours, Whether she found that we deserv'd her favours, I know not but 'tis certain she commanded Our humble theatre should be expanded. The orders she pronounc'd were scarcely ended, But, like Philemon's house, the stage extended: And thus the friendly goddess bids me greet ye; 'Tis in that circle [pointing to the boxes] she designs to meet ye: Pedants would fix her residence with heathens, But she prefers old York to Rome or Athens. A PROLOGUE, SPOKE AT THE OPENING AN ELEGANT LITTLE THEATRE AT WHITBY. FROM Shakspeare-Jonson-Congreve-Rowe and others The laurel'd list, the true Parnassian brothers! The tragic Muse presents a stately mirror, A PROLOGUE, ON OPENING THE THEATRE AT WHITBY THE ENSUING O'ER the wild waves, unwilling more to roam, Such are the joys that in our bosoms burn! (Not without hopes your patronage will last) We bend with gratitude for favours past. That our light bark defy'd the rage of winter, Rode ev'ry gale-nor started ev'n a splinter; We bow to Beauty-('twas those smiles secur'd her) And thank our patrons who so kindly moor'd her. Still-still-extend your gentle cares to save her, That she may anchor long in Whitby's-favour. A PROLOGUE, SPOKE IN THE CHARACTER OF A SAILOR, ON OPENING THE NEW THEATRE AT NORTH SHIELDS. [Without. HOLLO! my masters, where d'ye mean to stow us We're come to see what pastime ye can show us; Sal, step aloft-you shan't be long without me, I'll walk their quarter deck and look about me. [Enters. Tom and Dick Topsail are above-I hear 'em, Tell 'em to keep a birth, and, Sal-sit near 'em: Sal's a smart lass—I'd hold a butt of stingo In three weeks' time she'd learn the playhouse lingo: She loves your plays, she understands their meaning, She calls 'em-MORAL RULES made entertaining: Your Shakspeare books, she knows 'em to a tittle; And I, myself (at sea) have read—a little. At London, sirs, when Sal and I were courting, I tow'd her ev'ry night a playhouse sporting: Mass! I could like 'em and their whole 'paratus, But for their fiddlers and their damn'd sonatas; Give me the merry sons of guts and rosin, That play-God save the King, and Nancy Daw[Looking about. son: Well-though the frigate's not so much bedoyzen'd, Tis snug enough!-"Tis clever for the size on 't: Sha'n't you, and I, and Sal, come see them nightly? AN EPILOGUE, SPOKE AT NORWICH, IN THE CHARACTER OF MRS. DEBORAH AFTER the dangers of a long probation, Set up that toast, that culprit, nobus corum, As for the men, whose satire oft bath stung us, Many there are that may be rank'd among us. Law, with long suits and busy mischiefs laden, In rancour far exceeds the ancient maiden. 'Tis undeny'd, and the assertion 's common, That modern PHYSIC is a mere old woman. The puny fop that simpers o'er his tea dish, And cries,-" Indeed-Miss Deb'rah 's-quite old Of doubtful sex, of undetermin'd nature, [maidish!" In all respects is but a virgin cretur. Jesting apart, and moral truths adjusting! There's nothing in the state itself disgusting; Old maids, as well as matrons bound in marriage, Are valu'd from propriety of carriage: If gentle sense, if sweet discretion guide 'em, It matters not though coxcombs may deride 'em; And virtue 's virtue, be she maid or wedded, A certain truth! say-Deb'rah Woodcock said it. A PROLOGUE TO THE MUSE OF OSSIAN; LITTLE PIECE, ADAPTED to the stage by d. e. bakeR, FROM THE CELEBRATED POEM OF OSSIAN, THE SON OF FINGAL To form a little work of nervous merit, To the gallery. To touch a sacred Muse, and not defile her, Dauntless, he cry'd, "It is but nobly daring! "Methinks I hear the Grecian bards exclaiming, (The Grecian bards no longer worth the naming) In song, the northern tribes so far surpass us, One of their Highland hills they'll call Parnassus; And from the sacred mount decrees should follow, That Ossian was himself--the true Apollo." Spite of this flash-this high poetic fury, AN EPILOGUE TO THE MUSE OF OSSIAN. IN fond romance let Fancy reign creative! When bonour call'd, the youth disdain'd to ponder, If the bold youth was in the field vindictive, The bard, at home, had ev'ry power descriptive; He swell'd the sacred song, enhanc'd the story, And rais'd the warrior to the skies of glory. That northern lads are still unconquer'd fellows, The foes of Britain to their cost can tell us ; The sway of northern beauty, if disputed, Look round, ye infidels, and stand confuted: And for your bards, the letter'd world have known 'eni, They're such-the sacred Ossian can't disown 'em. To prove a partial judgment does not wrong you, And that your usual candour reigns among you, Look with indulgence on this crude endeavour, And stamp it with the sanction of your favour. AN EPILOGUE, Ar lady-let me recollect-whose night is 't? "A wife reclaim'd, and by an husband's rigour' A wife with all her appetites in vigour ! Lard! she must make a lamentable figure! "Where was her pride? Of ev'ry spark divested! To mend, because a prudish husband press'd it! What! to prefer his dull domestic quiet, "Or if you 've no regard to moral duty, ('Tis trite but true)-quadrille will murder beauty." Taste is abash'd, (the culprit) I'm acquitted, They praise the character they lately pity'd; They promise to reform-relinquish play, So break the tables up at-break of day. To quell Adversity-or turn her darts, Soft are the graces that adorn the maid, bright, From the kind cause that call'd her here to night. rose. The lofty pyramid shall cease to live' Fleeting the praise such monuments can give! But Charity, by tyrant Time rever'd, Sweet Charity, amidst his ruins spar'd, Secures her votaries unblasted fame, And in celestial annals saves their name. AN EPILOGUE, Spoke at EDINBURGH, IN THE CHARACTER OF LADY FANCY, we 're told, of parentage Italic, per Her loll-her lisp-her saunter, stare-her simper; Look for a grace, and Affectation hides it; Without her dear coquetish arts to aid 'em, Fine ladies would be just as-Nature made 'em, Such sensible-sincere-domestic creatures, The jest of modern belles, and petit maitres. Safe with good sense, this circle 's not in danger, But as the foreign phantom 's-here a stranger, I gave her portrait, that the fair may know her, And if they meet, be ready to forego her; For trust me, ladies, she 'd deform your faces, And with a single glance destroy the graces. AN EULOGIUM ON CHARITY. SPOKE AT ALNWICK, IN NORTHUMBERLAND, at a chari- To bid the rancour of Ill-fortune cease, AN EPILOGUE, DESIGNED TO BE SPOKE AT ALNWICK, ON RESIGNING THE PLAYHOUSE TO A PARTY DETACHED FROM THE EDISBURGH THEATRE. To Alnwick's lofty seat, a sylvan scene! To rising hills from distance doubly green, "Go," says the god of wit, "my standard bear, These are the mansions of the great and fair, 'Tis my Olympus now, go spread my banners there." Led by fond Hope, the pointed path we trace, Soft scenes are all around-refreshful air! A troop, at certain times compell'd to shift, With gratitude, still we 'll acknowledge the fa vours So kindly indulg'd to our simple endeavours; 1 The countess of Northumberland, who honoured the charity with her presence. 2 The earl and countess of Northumberland, lord and lady Warkworth, &c. A PROLOGUE TO LOVE AND FAME. SPOKE AT SCARBOROUGH. [Entering. WHERE is this author?-Bid the wretch appear, In his next trip, he 'll mount us to the Moon. Methinks I hear him say-" For mercy's sake Hold your rash tongue-my love and fame 's at stake; When you behold me-diffident-distrest! I know them well, have oft their friendship try'd, Hoping to please, he form'd this bustling plan; Hoping to please! 'tis all the moderns can: Faith! let him 'scape, let Love and Fame survive, With your kind sanction keep his scenes alive; Try to approve (applaud we will exempt) Nor crush the bardling in this hard attempt. Could he write up to an illustrious theme, There's mark'd upon the register of Fame A subject-but beyond the warmest lays! Wonder must paint, when 'tis a G-nby's praise. A PROLOGUE TO RULE A WIFE. SPOKEN AT EDINBURGH. >Tis an odd portrait that the poet drew! A strange irregular he sets in view! 'Mongst us-thank Heaven-the character 's unknown, (Bards have creative faculties we own) And this appears a picture from his brain, Till we reflect the lady liv'd in Spain. Should we the portrait with the sex compare, 'Twould add new honours to the northern fair; Their merit, by the foil, conspicuous made, And they seem'd brighter from contrasting shade. Rude were the rules our fathers form'd of old, Nor should such antiquated maxims hold; Shall subject man assert superior sway, And dare to bid the angel sex obey? Or if permitted to partake the throne, Despotic, call the reins of power his own? Forbid it, all that's gracious-that's polite! (The fair to liberty have equal right) Nor urge the tenet, though from Fletcher's school, That every husband has a right to rule. A matrimonial medium may be hit, Where neither governs, but where both submit. The nuptial torch with decent brightness burns, Where male and female condescend by turns; Change then the phrase, the horrid text amend, And let the word obey,be condescend. FOR SOME COUNTRY LADS, PERFORMING THE DEVIL OF A IN days of yore, when round the jovial board, From ev'ry side- from Troy-from ancient Princes pour in to swell the motley piece; [Greece, And while their deeds of prowess they rehearse, The flowing bowl rewards their hobbling verse. Intent to raise this evening's cordial mirth, Like theirs, our simple stage-play comes to birth. Our want of art we candidly confess, But give you Nature in her homespun dress; No heroes here-no martial men of might! A cobler is the champion of to night; His strap, more fam'd than George's lance of old, For it can tame that dragoness, a scold: Indulgent, then, support the cobler's cause, And though he may n't deserve it, smile applause. A PROLOGUE, ON OPENING THE new theatre in NEWCASTLE, 1766. To mend the morals-to enlarge the mind, The nymphs that in the sacred groves preside, If these kind motives can command applause, Cheers not the mariner propitious seas? O that the soul of action were but ours, Before such judges, we confess with dread, AN INTRODUction, SPOKE AT THE THEATRE IN SUNDERLAND, TO A PLAY PER With flocks enrich'd, a vast unnumber'd store! Tis gone, the mighty George's golden reign; Your Pan, your great protector is no more! The British swains, e'er whiles a blithsome throng, Beauty, no more the toy of fashion wears, (So late by love's designful labour drest;) But from her brow the lustr'd diamond tears, And with the sable cypress veils her breast. Religion, lodg'd high on her pious pile, Laments the fading state of CROWNS below; With the slow music of heart-wounding woe. See the detestful owl, ill-omen'd, rise! FORMED THERE FOR THE BENEFIT OF THE WIDOWS AND And, by the discord of shrill shrieking cries, ORPHANS OF THAT PLACE. ON widows-orphans-left, alas! forlorn, And softens, though she can't remove their grief: AN ELEGIAC ODE ON THE DEATH OF HIS LATE MAJESTY. Doubling the horrours of the deep-ton❜d bell. The choral Muses droop! their harps unstrung, Behold the Virtues rang'd, a sorrowing band! On Conquest's cheek see how the roses fail! The dreary paths of unrelenting Fate, Must monarchs, mix'd with common mortals, try Must gilded courts be chang'd for Horrour's cave! Pallida mos æquo pulsat pede pauperum tabernas, Search where fell Carnage rag'd with rigour steel'd, Regumque turres. Horace. ENGLAND! thy Genius, vested like Despair, But dive distress'd beneath the trembling wave. Then let their sorrows burst in pealy roar. Where Slaughter, like the rapid lightning, ran; And say, when you've bewept the blood-stain'd field, Which is the monarch? which the common man? The Macedonian monarch3, wise and good, Bade (when the morning's rosy reign began) Courtiers should call, as round his couch they stood, "Philip, remember thou 'rt no more than man. ■ The hall of commerce, the Royal Exchange. Philip, king of Macedon, the father of Alexan der the Great, appointed the pages of his chamber to remind him every morning, that, notwithstand |