« 上一頁繼續 »
Me tenet urbs refluâ quam 'Thamesis alluit undà,
Meque nec invitum patria dulcis habet.
Nec dudum vetiti me laris angit amor.-
Cæteraque ingenio non subeunda meo.
Et vacuum curis otia grata sequi,
Lætus et erili conditione fruor,
I cannot find any meaning but this, which even kindness and reverence can give the term vetiti laris, “ a habitation from which he is excluded;" or how exile can bo otherwise interpreted. He declares yet more, that he is weary of enduring the threats of a rigorous master, and something else, which a temper like his cannot undergo. What was more than threat was probably punishment. This poem, which mentions his exile, proves likewise that it was not perpetual; for it concludes with a resolu. tion of returning some time to Cambridge. And it may be conjectured, from the willingness with which he has perpetuated the memory of his exile, that its cause was such as gave him no shame.
He took both the usual degrees; that of batchelor in 1828, and that of master in 1632; but he left the university with no kindness for its institution, alienated either by the injudicious severity of his governors, or his own captious perverseness. The cause cannot now be known, but the effect appears in his writings. His scheme of education, inscribed to Hartlib, supersedes all academical instruction, being intended to comprise the whole time which men usually spend in literature, from their en. trance upon grammar,“ till they proceed, as it is called, masters of arts.” And in his Discourse " on the likeliest Way to remove Hirelings out of the Church,” he ingeniously proposes, that “ the profits of the lands forfeited by the act for super. stitious uses should be applied to such academies all over the land where languages and arts may be taught together ; so that youth may be at once brought up to a competency of learning and an honest trade, by which means such of them as had the gift, being enabled to support themselves (without tythes) by the latter, may, by the help of the former, become worthy preachers."
One of his objections to academical education, as it was then conducted, is, that men designed for orders in the church were permitted to act plays, “ writhing and unboning their clergy limbs to all the antic and dishonest gestures of Trincalos , buffoons, and bawds, prostituting the shame of that ministry which they had, or were near having, to the eyes of courtiers and court ladies, their grooms and mademoiselles.
This is sufficiently peevish in a man who, when he mentiong his exile from the col. lege, relates, with great luxuriance, the compensation which the pleasures of the theatre afford him. Plays were therefore only criminal when they were acted by academics.
3 By the mention of this name, he evidently refers to Albumazar, acted at Cambridge in 1614. Ignoramus and other plays were performed at the same time. The practice was then very frequent. The last dramatic performance at either university was The Grateful Fair, written by Christopher Smart, and represented at Pembroke College, Cambridge, about 1747. R.
He went to the university with a design of entering into the church, but in time altered his mind; for he declared, that whoever became a clergyman must “ sub. scribe slave, and take an oath withal, which, unless he took with a conscience that could not retch, he must straight perjure himself. He thought it better to prefer a blameless silence before the office of speaking, bought and begun with servitude and for swearing."
These expressions are, I find, applied to the subscription of the articles; but it seems more probable that they relate to canonical obedience. I know not any of the articles which seem to thwart his opinions: but the thoughts of obedience, whether canonical or civil, raised his indignation.
His unwillingness to engage in the ministry, perhaps not yet advanced to a settled resolution of declining it, appears in a letter to one of his friends, who had reproved his suspended and dilatory life, which he seems to have imputed to an insatiable cu. riosity, and fantastic luxury of various knowledge. To this he writes a cool and plausible answer, in which he endeavours to persuade him, that the delay proceeds not from the delights of desultory study, but from the desire of obtaining more fit. ness for his task; and that he goes on, not taking thought of being late so it gives advantage to be more fit.
When he left the university, he returned to his father, then residing at Horton in Buckinghamshire, with whom he lived five years, in which time he is said to have read all the Greek and Latin writers. With what limitations this universality is to be understood, who shall inform us?
It might be supposed, that he who read so much should have done nothing else : but Milton found time to write the Masque of Comus, which was presented at Lud. low, then the residence of the lord president of Wales, in 1634; and had the honour of being acted by the earl of Bridgewater's sons and daughter. The fiction is de. rived from Homer's Circe * ; but we never can refuse to any modern the liberty of borrowing from Homer:
a quo ceu fonte perenni
Vatum Pieriis ora rigantur aquis. His next production was Lycidas, an elegy, written in 1637, on the death of Mr. King, the son of sir John King, secretary for Ireland in the time of Elizabeth,
4 It has nevertheless its foundation in reality. The earl of Bridgewater being president of Wales in the year 1634, had his residence at Ludlow-castle in Shropshire, at which time lord Brackly and Mr. Egerton, his sons, and lady Alice Egerton, his daughter, passing through a place called the Hay-wood Forest, or Haywood in Herefordshire, were benighted, and the lady for a short time lost : this accident being related to their father upon their arrival at his castle, Milton at the request of his friend Henry Lawes, who taught music in the family, wrote this masque. Lawes set it to music, and it was acted on Michaelmas night; the two brothers, the young lady, and Lawes himself, bearing each a part in the representation.
The lady Alice Egerton became afterwards the wife of the earl of Carbury, who, at his seat called Golden-grore, in Caermarthenshire, harboured Dr. Jeremy Taylor in the time of the Usurpation. Among the doctor's sermons is one on her death, in which her character is finely portrayed. Her sister, lady Mary, was given in marriage to lord Herbert of Cherbury.
Notwithstanding Dr. Johnson's assertion, that the fiction is derived from Homer's Circe, it may be conjectured, that it was rather taken from the Comus of Erycius Puteanus, in which, under the fiction of a dream, the characters of Comus and his attendants are delineated, and the delights of sensua. Jists exposed and reprobated. This little tract was published at Louvain in 1611, and afterwards at Oxford in 1634, the very year in which Milton's Comus was written. H.
Milton evidently was indebted to the Old Wives Tale of George Peele for the plan of Comus. R.
James and Charles. King was much a favourite at Cambridge, and many of the wits joined to do honour to his memory. Milton's acquaintance with the Italian writers may be discovered by a mixture of longer and shorter verses, according to the rules of Tuscan poetry, and his malignity to the church by some lines which are interpreted as threatening its extermination.
He is supposed about this time to have written his Arcades; for, while he lived at Horton, he used sometimes to steal from his studies a few days, which he spent at Harefield, the house of the countess dowager of Derby, where the Arcades made part of a dramatic entertainment.
He began now to grow weary of the country, and had some purpose of taking chambers in the inns of court, when the death of his mother set him at liberty to travel, for which he obtained his father's consent, and sir Henry Wotton's directions, with the celebrated precept of prudence, i pensieri stretti, ed il viso sciolto; " thoughts close, and looks loose.”
In 1638 he left England and went first to Paris; 'where, by the favour of lord Scudamore, he had the opportunity of visiting Grotius, then residing at the French court as ambassador from Christina of Sweden. From Paris he hasted into Italy, of which he had, with particular diligence, studied the language and literature: and though he seems to have intended a very quick perambulation of the country, staid two months at Florence; where he found his way into the academies, and produced his compositions with such applause as appears to have exalted him in his own opinion, and confirmed him in the hope, that, “ by labour and intense study, which,” says he, “ I take to be my portion in this life, joined with a strong propensity of nature,'
,” he might “ leave something so written to after-times, as they should not willingly let it die.”
It appears in all his writings that he had the usual concomitant of great abilities, a lofty and steady confidence in himself, perhaps not without some contempt of others, for scarcely any man ever wrote so much and praised so few. Of his praise he was very frugal; as he set its value high, and considered his mention of a name as a se. curity against the waste of time, and a certain preservative from oblivion.
At Florence he could not indeed complain that his merit wanted distinction. Carlo Dati presented him with an encomiastic inscription, in the tumid lapidary style; and Francini wrote him an ode, of which the first stanza is only empty noise; the rest are perhaps too diffuse on common topics: but the last is natural and beau, tiful.
From Florence he went to Sienna, and from Sienna to Rome, where he was again received with kindness by the learned and the great. IIolstenius, the keeper of the Vatican library, who had resided three years at Oxford, introduced him to cardinal Barberini: and he, at a musical entertainment, waited for him at the door, and led him by the hand into the assembly. Here Selvaggi praised him in a distich, and Salsilli in a tetrastic; neither of them of much value. The Italians were gainers by this literary commerce; for the encomiums with which Milton repaid Salsilli, though not secure against a stern grammarian, turn the balance indisputably in Milton's favour.
Of these Italian testimonies, poor as they are, he was proud enough to publish
t'iem before his poems; though he says, he cannot be suspected but to have known that they were said non tam de se, quam supr se.
At Rome, as at Florence, he staid only two months; a time indeed sufficient, if he desired only to ramble with an explainer of its antiquities, or to view palaces and count pictures; but certainly too short for the contemplation of learning, policy, or
From Rome he passed on to Naples, in company of a hermit, a companion from whom little could be expected; yet to him Milton owed his introduction to Manso, marquis of Villa, who had been before the patron of Tasso. Manso was enough delighted with his accomplishments to honour him with a sorry distich, in which he commends him for every thing but his religion: and Milton, in return, addressed him in a Latin poem, which must have raised an high opinion of English elegance and literature.
His purpose was now to have visited Sicily and Greece; but hearing of the diffe. rences between the king and parliament, he thought it proper to hasten home, rae ther than pass his life in foreign amusements while his countrymen were contending for their rights. He therefore came back to Rome, though the merchants informed him of plots laid against him by the Jesuits, for the liberty of his conversations on religion. He had sense enough to judge that there was no danger, and therefore kept on his way, and acted as before, neither obtruding nor shunning controversy. Ile had perhaps given some offence by visiting Galileo, then a prisoner in the Inqui. sition for philosophical heresy; and at Naples he was told by Manso, that, by his declarations on religious questions, he had excluded himself from some distinctions which he should otherwise have paid him. But such conduct, though it did not please, was yet sufficiently safe; and Milton staid two months more at Rome, and went on to Florence without molestation.
From Florence he visted Lucca. He afterwards went to Venice; and, having sent away a collection of music and other books, travelled to Geneva, which he pro. bably considered as the metropolis of orthodoxy.
Here he reposed as in a congenial element, and became acquainted with John Diodati and Frederic Spanheim, two learned professors of divinity. From Genera he passed through France; and came home, after an absence of a year and three months.
At his return he heard of the death of his friend Charles Diodati; a man' whom it is reasonable to suppose of great merit, since he was thought by Milton worthy of a a poem, intituled Epitaphium Damonis, written with the common but childish imię tation of pastoral life.
He now hired a lodging at the house of one Russel, a taylor in St. Bride's churchyard, and undertook the education of John and Edward Philips, his sister's sons. Finding his rooms too little, he took a house and garden in Aldersgate-street, which was not then so much out of the world as it is now; and chose his dwelling at the
5 This is inaccurately expressed: Philips and Dr. Newton after him, say a garden-house, i. e. a house situated in a garden, and of which there were, especially in the north suburbs of London, very many, if not few else. The term is technical, and frequently occurs in the Athen. and Fast. Oxon. The meaning thereof may be collected from the article Thomas Farnaby, the famous schoolmaster, of whom the author says, that he taught in Goldsmith's Rents, in Cripplegate-parish, behind Redcrossstreet, where were large gardens and handsome houses. Milton's house in Jewin-street was also a garden-house, as were indeed most of his dwellings after his settlement in London. H.
upper end of a passage, that he might avoid the noise of the street. Here he received more boys, to be boarded and instructed.
Let not our veneration for Milton forbid us to look with some degree of merriment on great promises and small performance, on the man who hastens home because his countrymen are contending for their liberty, and, when he reaches the scene of action, vapours away his patriotism in a private boarding-school. This is the period of his life from which all his biographers seem inclined to shrink. They are unwilling that Milton should be degraded to a school-master; but, since it cannot be denied that he taught boys, one finds out that he taught for nothing, and another, that his motive was only zeal for the propagation of learning and virtue; and all tell what they do not know to be true, only to excuse an act which no wise man will consider as in itself disgraceful. His father was alive; his allowance was not ample; and he supplied its deficiencies by an honest and useful employment.
It is told, that in the art of education he performed wonders; and a formidable list is given of the authors, Greek and Latin, that were read in Aldersgate-street by youth between ten and fifteen or sixteen years of age. Those who tell or receive these stories should consider, that nobody can be taught faster than he can learn. The speed of the horseman must be limited by the power of the horse. Every man that has ever undertaken to instruct others can tell what slow advances he has been able to make, and how much patience it requires to recall vagrant inattention, to stimulate sluggish indifference, and to rectify absurd misapprehension.
The purpose of Milton, as it seems, was to teach something more solid than the common literature of schools, by reading those authors that treat of physical sub. jects; such as the Georgic, and astronomical treatises of the ancients. This was a scheme of improvement which seems to have busied many literary projectors of that age. Cowley, who had more means than Milton of knowing what was wanting to the embellishments of life, formed the same plan of education in his imaginary college.
But the truth is, that the knowledge of external nature, and the sciences which that knowledge requires or includes, are not the great or the frequent business of the human mind. Whether we provide for action or conversation, whether we wish to be useful or pleasing, the first requisite is the religious and moral knowlege of right and wrong; the next is an acquaintance with the history of mankind, and with those ex. amples which may be said to embody truth, and prove by events the reasonableness of opinions. Prudence and justice are virtues and excellences of all times and of all places : we are perpetually moralists, but we are geometricians only by chance. Our intercourse with intellectual nature is necessary; our speculations upon matter are voluntary, and at leisure. Physiological learning is of such rare emergence, that one may know another half his life, without being able to estimate his skill in hydro. statics or astronomy; but his moral and prudential character immediately appears.
Those authors, therefore, are to be read at schools that supply most axioms of prudence, most principles of moral truth, and most materials for conversation; and these purposes are best served by poets, orators, and historians.
Let me not be censured for this digression as pedantic or paradoxical; for, if I have Milton against me, I have Socrates on my side. It was his labour to turn phi. losophy from the study of nature to speculations upon life; but the innovators whom