English Writers: An Attempt Towards a History of English Literature, 第 11 卷Cassell, limited, 1895 |
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第 1 到 5 筆結果,共 62 筆
第 xiii 頁
... DRAMA : BEN JONSON UNDER JAMES I. Elizabethan and Stuart Drama classified ... Ben Jonson ... 66 " Sejanus " ... " Eastward Ho " " Volpone " Other Plays ... 216-218 218-219 219-221 221-222 222-223 223-224 224-231 231-234 ... 236-242 ...
... DRAMA : BEN JONSON UNDER JAMES I. Elizabethan and Stuart Drama classified ... Ben Jonson ... 66 " Sejanus " ... " Eastward Ho " " Volpone " Other Plays ... 216-218 218-219 219-221 221-222 222-223 223-224 224-231 231-234 ... 236-242 ...
第 29 頁
... drama , when plays were acted in inn - yards or hired rooms , and only two years after a theatre was first built . George Whetstone was a poet in good repute when he printed the two parts of his * " E . W. , " vii . 283-5 . " Right ...
... drama , when plays were acted in inn - yards or hired rooms , and only two years after a theatre was first built . George Whetstone was a poet in good repute when he printed the two parts of his * " E . W. , " vii . 283-5 . " Right ...
第 53 頁
... dramatic force is given by the appearance of a third murderer , whose words show that he is acquainted with the persons and the ways about the palace . He is sent , in Macbeth's restless eagerness , to make assurance sure ; to pre- vent ...
... dramatic force is given by the appearance of a third murderer , whose words show that he is acquainted with the persons and the ways about the palace . He is sent , in Macbeth's restless eagerness , to make assurance sure ; to pre- vent ...
第 93 頁
... dramatic contrast between the boy - and - girl love of Romeo and Juliet , a passion of the fancy that transforms the real to the ideal , and the animal passion of Antony and Cleopatra , that quenches every pure aspiration , and draws ...
... dramatic contrast between the boy - and - girl love of Romeo and Juliet , a passion of the fancy that transforms the real to the ideal , and the animal passion of Antony and Cleopatra , that quenches every pure aspiration , and draws ...
第 101 頁
... dramatic power , the woman of the beginning of his poem could not in actual life become the woman of its end . Shakespeare's Cressida follows Chaucer's , but is saved from question of that kind by skilful touches . Shakespeare's ...
... dramatic power , the woman of the beginning of his poem could not in actual life become the woman of its end . Shakespeare's Cressida follows Chaucer's , but is saved from question of that kind by skilful touches . Shakespeare's ...
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常見字詞
A. H. Bullen Andrewes Anne Boleyn Antony Bacon Banquo Beaumont and Fletcher Ben Jonson Bibl Biog Bishop Bodl brother Bussy d'Ambois Cæsar called Chapman character Church Cleopatra Collier comedy copies Cordella Coriolanus Court Cressida Cutberd Cymbeline d'Ambois daughter death Dekker Dict drama dramatist E. W. viii edition Elizabeth England English entered father folio follows Fourth Act gives Grosart Guiderius hath heart Heaven History honour humour John Jonson Julius Cæsar King James king's Lady Lancelot Andrewes Latin Leir Leontes lived London Lord Macbeth Masque Massinger mind murder night noble Philaster play poems poet Prince printed prose Prospero published Queen reign Repr reprinted Rome royal says scene Shak Shakespeare Silent Woman sonnets spirit story tale thee thou thought Timon Tragedy translation Troilus Troilus and Cressida true verse Volpone wife Wolsey woman words writer written Yorkshire Tragedy
熱門章節
第 45 頁 - It is too full o' the milk of human kindness To catch the nearest way : thou wouldst be great; Art not without ambition — but without The illness should attend it : what thou wouldst highly That wouldst thou holily : wouldst not play false, And yet wouldst wrongly win : Thou 'dst have, great Glamis, That which cries, " Thus thou must do, if thou have it;" And that which rather thou dost fear to do Than wishest should be undone.
第 219 頁 - Triumph, my Britain, thou hast one to show, To whom all Scenes of Europe homage owe. He was not of an age, but for all time ! And all the Muses still were in their prime When like Apollo he came forth to warm Our ears or like a Mercury to charm ! Nature herself was proud of his designs, And joyed to wear the dressing of his lines ! Which were so richly spun.
第 40 頁 - Fair is foul, and foul is fair; Hover through the fog and filthy air.
第 49 頁 - tis not done; the attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss them. Had he not resembled My father as he slept I had done 't.
第 11 頁 - ... a couch whereupon to rest a searching and restless spirit, or a terrace for a wandering and variable mind to walk up and down with a fair prospect, or a tower of state for a proud mind to raise itself upon, or a fort or commanding ground for strife and contention, or a shop for profit and sale ; and not a rich store-house for the glory of the Creator and the relief of man's estate.
第 54 頁 - I pray you, speak not ; he grows worse and worse; Question enrages him : at once, good night : — Stand not upon the order of your going, But go at once.
第 43 頁 - I am thane of Cawdor: If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature?
第 204 頁 - This many summers in a sea of glory; But far beyond my depth : my high-blown pride At length broke under me ; and now has left me, Weary, and old with service, to the mercy Of a rude stream, that must for ever hide me.
第 86 頁 - I will make them conform, or I will harry them out of the land, or else worse,"
第 52 頁 - Nought's had, all's spent, Where our desire is got without content : 'Tis safer to be that which we destroy Than by destruction dwell in doubtful joy.