Liberation of the Actor

封面
Temple Lodge Publishing, 1992 - 148 頁
0 書評
評論未經驗證,但 Google 會查證並移除遭檢舉的不實內容

The artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization?

Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today.

C O N T E N T S

Preface
Introduction

1. Where is the Actor?
2. Storytelling, Mime, and Gesture: The Foundation
3. The Body as Instrument
4. Effective Speaking in the Theatre
5. The Wind Machine
6. Discovery of Movement in Speech
7. Six Attitudes in gesture and Speech
8. The Sense of Rhythm and Dynamic Speaking
9. Sound and Sense
10. Epic, Dramatic, and Lyric Moods
11. Exercises for Lyric, Epic, and Dramatic Speaking
12 Deductive Drama

Childhood
Epilogue

 

讀者評論 - 撰寫評論

我們找不到任何評論。

內容

Epic Dramatic and Lyric Moods
115
Exercises for Lyric Epic and Dramatic Speaking
122
Deductive Drama
135
版權所有

其他版本 - 查看全部

常見字詞

提及本書的作品

關於作者 (1992)

Peter Bridgmont is involved in voice training at the Globe Theatre in London. He has been a professional actor in theater, films, and on radio and TV. In 1975 he and his wife, Barbara, opened the Chrysalis Theatre Acting School in London.

書目資訊