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and F. 1, "smiles"); I. ii. 92. SINEW, strength; IV. iv. 17. SINK OR SWIM, "an old English proverbial expression implying to run the chance of success or failure"; I. iii. 194. SIRRAH, generally used to an inferior; here an instance of unbecoming familiarity; I. ii. 206. SKILL, wisdom, good policy; I. ii. 247.

SKIMBLE-SKAMBLE, wild, confused; III. i. 154.

SKIPPING, flighty, thoughtless; III. ii. 60.

SLOVENLY, battle-stained; I. iii. 44.

SMUG, trim, smooth; III. i. 102. SNEAK-CUP, (probably) one who sneaks from his cup; III. iii. 104. SNUFF; "took it in snuff," i. e. took it as an offense; with a play upon "snuff in the ordinary sense; I. iii. 41. So, howsoever; IV. i. 11. SOLEMNITY, awful grandeur, dignity; III. ii. 59. SOOTHERS, flatterers; IV. i. 7. SOUSED GURNET, a fish pickled in vinegar, a term of contempt; IV. ii. 13.

SPANISH-POUCH, evidently a contemptuous term drunkard; II. iv. 83.

SPEED; "be your s.," stand you in good stead; III. i. 190. SPITE, vexation; III. i. 192.

SPLEEN, waywardness; II. iii. 87. SPOIL, ruin, corruption; III. iii. 13.

SQUIER, Square (Q. 8, "squaire";

Ff. 3, 4, "square"; the rest "squire"); II. ii. 13. SQUIRE; "s. of the night's body,"

a play upon "squire of the

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body," i. e. attendant upon a knight; I. ii. 28.

STAIN'D, soiled, bespattered (F. 1, "strained"); I. i. 64. STANDING-TUCK, rapier set on end; II. iv. 283.

START; "s. of spleen," impulse of caprice; III. ii. 125. STARTING-HOLE, subterfuge, evasion; II. iv. 301.

STARVE, to starve (Ff. "staru’a”); I. iii. 159.

STARVELING, a starved, lean person; II. i. 78.

STARVING, longing; V. i. 81. STATE, chair of state, throne; II. iv. 432.

STEAL, steal yourselves away; III. i. 93.

STOCK-FISH, dried cod; II. iv. 281.

STOMACH, appetite; II. iii. 48. STRAIT, strict; IV. iii. 79. STRAPPADO; "the strappado is

when a person is drawn up to his height, and then suddenly to let him fall half way with a jerk, which not only breaketh his arms to pieces, but also shaketh all his joints out of joint, which punishment is better to be hanged, than for a man to undergo" (Randle Holme, in his Academy of Arms and Blazon); II. iv. 271. STRENGTH, strong words, terms; I. iii. 25.

STRONDS, Strands; I. i. 4.
STRUCK FOWL, wounded fowl; IV.
ii. 22.

SUBORNATION; "murderous S.," procuring murder by underhand means; I. iii. 163.

SUDDENLY, very soon; I. iii. 294. "SUE HIS LIVERY," to lay legal

claim to his estates, a law term; IV. iii. 62. SUFFERANCES, sufferings; V. i. 51. SUGGESTION, temptation; IV. iii.

51.

SUITS, used with a quibbling allusion to the fact that the clothes of the criminal belonged to the hangman; I. ii.

82.

SULLEN, dark; I. ii. 235. SUMMER-HOUSE, pleasant retreat, country-house; III. i. 164. SUNDAY-CITIZENS, citizens in their "Sunday best"; III. i. 261. SUPPLY, reinforcements; IV. iii. 3. "SUTTON CO'FIL," a contraction

of Sutton Coldfield, a town twenty-four miles from Coventry (Q. 2, "Sutton cophill”; Ff. and Qq. 5, 6, 8, "Sutton-cop-hill"; IV. ii. 3. SWATHLING CLOTHES, Swaddling clothes (Q. 1, 2, 3, "swathling"; the rest, "swathing”); III. ii. 112.

SWORD-AND-BUCKLER, the distinctive weapons of serving men and riotous fellows; I. iii. 230.

TAFFETA, a glossy silken stuff; I. ii. 12.

TAKE IT, Swear; II. iv. 10.
TAKE ME WITH YOU, tell me what
you mean; II. iv. 526.
TALL, strong, able; I. iii. 62.
TALLOW-CATCH "tallow-ketch,” i.
e. a tallow-tub, or perhaps "tal-
low-keech" (Steeven's conject-
ure), i. e. a round lump of fat
rolled up by the butcher to
be carried to the chandler; II.
iv. 262.

TARGET, Shield; II. iv. 232.
TARRY, remain, stay; I. ii. 167.
TASK'D, taxed; IV. iii. 92.

I

TASKING, challenge (Q. 1, "tasking"; the rest, "talking"); V. ii. 51.

TASK ME, test me; IV. i. 9. TASTE, test, try the temper (Q. 2, "taste"; Q. 1, "tast"; the rest, "take"); IV. i. 119. TEMPER, disposition, temperament; III. i. 170. TENCH; "stung like a t."; pos

sibly there is an allusion to the old belief that fishes were supposed to be infested with fleas; or perhaps the simile is intentionally meaningless; II. i. 17. TERM, word (Ff. and Qq. 7, 8, "dreame"; Qq. 5, 6, “deame"); IV. i. 85.

TERMAGANT, an imaginary god of the Mahomedans, represented as a most violent character in the old Miracle-plays and Moralities; V. iv. 114. THEREFORE, for that purpose; I.

i. 30.

THICK-EYED, dull-eyed; II. iii. 53. THIEF, used as a term of endearment; III. i. 238. TICKLE-BRAIN, some kind of strong liquor; II. iv. 452. TINKERS, proverbial tipplers and gamblers; II. iv. 22. TOASTS-AND-BUTTER,

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effeminate fellows, Cockneys; IV. ii. 23. TONGUE; "the tongue," i. e. the English language; III. i. 125. TOPPLES, throws down; III. i. 32. Toss, "to toss upon a pike"; IV. ii. 76. TOUCH, touchstone, by which gold was tested; IV. iv. 10. TRACE, track, follow; III. i. 48. TRADE-FALLEN, fallen out of service; IV. ii. 33. TRAIN, allure, entice; V. ii. 21.

"san

TRANQUILLITY, people who live at ease (Collier MS., guinity"); II. i, 87. TRANSFORMATION, change of appearance; I. i. 44. TREASURES; "my t.," i. e. tokens of love due to me from you; II. iii. 52.

TRENCH, turn into another channel; III. i. 112. TRENCHING, entrenching, making furrows; I. i. 7.

TRICK, peculiarity; II. iv. 460, TRIM, ornamental dress, gallant array; IV. i. 113. TRISTFUL, Sorrowful (Qq., Ff., "trustful"; Rowe's correction); II. iv. 447.

TRIUMPH, public festivity; III. iii. 50.

TROJANS, cant name for thieves; II. i. 79.

TRUE, honest; I. ii. 127. TRUMPET, trumpeter; "play the t.," act the herald; V. i. 4. "TURK GREGORY"; Pope Gregory VII; V. iii. 47.

TURN'D, being shaped in the turning-lathe; III. i. 131. TWELVE-SCORE, twelve score yards (in the phraseology of archery); II. iv. 623.

UNDER-SKINKER, under tapster; II. iv. 28.

UNEVEN, embarrassing; I. i. 50. UNHANDSOME, indecent; I. iii. 44. UNJOINTED, disjointed, incoherent; I. iii. 65.

UNJUST, dishonest; IV. ii. 31. UNMINDED, unregarded; IV. iii. 58.

UNSORTED, ill-chosen; II. iii. 14. UNSTEADFAST, unsteady; I. iii. 193.

I

UNTAUGHT, ill-mannered; I. iii, 43. UNWASHED; "with u. hands," without waiting to wash your hands, immediately; III. iii. 216.

UNYOKED, uncurbed, reckless; I. ii. 227.

UP, up in arms; III. ii. 120.

VALUED, being considered; III. ii. 177.

VASSAL, Servile; III. ii. 124.
VASTY, vast; III. i. 53.
VELVET-GUARDS, trimmings of vel-

vet; hence, the wearers of such
finery; III. i. 261.

VIRTUE, valor; II. iv. 137. VIZARDS, visors, masks; I. ii. 147.

WAITING; "W. in the court,” i. e.

"dancing attendance in the hope of preferment"; I. ii. 80. WAKE, waking; III. i. 219. WANT; "his present w.," the present want of him; IV. i. 44.

WANTON, Soft, luxurious; III. i. 214.

WARD, posture when on guard;
II. iv. 224.
WARDS, guards in fencing, pos-

tures of defense; I. ii. 218. WARM, ease-loving; IV. ii. 20. WASP-STUNG, (so Q. 1; Qq. and

Ff., "wasp-tongue" or "wasptongued") irritable as though stung by a wasp; I. iii. 236. WATERING, drinking; II. iv. 19. WEAR, carry, bear (Ff., "wore") I. iii. 162.

WELL, rightly; IV. iii. 94.
WELL-BESEEMING, well becoming;
I. i. 14.

WELL-RESPECTED, ruled by reasonable considerations; IV. iii. 10.

WHAT! an exclamation of impatience; II. i. 3.

WHEREUPON, wherefore; IV. iii. 42.

WHICH, Who; III. i. 46.

WILD OF KENT, weald of K.; II. i. 61.

WILLFUL-BLAME, willfully blamable; III. i. 177.

WIND, turn in this or that di-
rection; IV. i. 109.
WITCH, bewitch; IV. i. 110.
WITHAL, with; II. iv. 590.

I

WORSHIP, honor, homage; III. ii. 151.

WRUNG IN THE WITHERS, pressed in the shoulders; II. i. 7.

YEDWARD, a familiar corruption of Edward, still used in some counties; I. ii. 154. YET, even now; I. iii. 77. YOUNKER, greenhorn; III. iii. 98.

ZEAL, earnestness; IV. iii. 63.

STUDY QUESTIONS

By EMMA D. SANFORD

GENERAL

1. Considered chronologically, assign the relation of King Henry IV to Shakespeare's other historical plays. 2. Give year when written and reasons for authenticity of this date.

3. Give sources and mention some inconsistencies of the play. What was the duration of time of the whole action?

4. Give explanation of the confusion of the characters Oldcastle and Falstaff.

ACT I

5. In the opening lines of the play, to what past and future expeditions does the King allude?

6. What confusion does Shakespeare make in regard to the character Mortimer?

7. What speech of the King's reveals his disappointment in the valor of his son Henry?

8. What incident, after Hotspur's victory in Scotland, led to the rebellion of the Percys?

9. What expressions does Falstaff employ to indicate extreme melancholy? What are some of his plays upon words, i. e., puns?

10. What is the significance of “latter spring” and “Allhallown summer," as applied to Falstaff?

11. Define the relations of Prince Henry and Falstaff as indicated by their meeting in the Prince's apartments. 12. What is the meaning of the Prince's words, "I'll sa

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