Cultural Appropriation and the ArtsJohn Wiley & Sons, 2008年4月15日 - 184 頁 Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
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第 4 頁
... musician performs a composition from another culture) or artistic elements. By artistic elements I mean styles, plots, musical themes, motifs, subject matters, genres, and similar items. They are not themselves works of art. Instead ...
... musician performs a composition from another culture) or artistic elements. By artistic elements I mean styles, plots, musical themes, motifs, subject matters, genres, and similar items. They are not themselves works of art. Instead ...
第 6 頁
... musician who sings the songs of another culture has engaged in content appropriation, as has the writer who retells ... Musicians who are not a part of African-American culture but who compose originaljazz or blues works can be said to ...
... musician who sings the songs of another culture has engaged in content appropriation, as has the writer who retells ... Musicians who are not a part of African-American culture but who compose originaljazz or blues works can be said to ...
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內容
1 | |
2 The Aesthetics of Cultural Appropriation | 32 |
3 Cultural Appropriation as Theft | 63 |
4 Cultural Appropriation as Assault | 106 |
5 Profound Offence and Cultural Appropriation | 129 |
Conclusion Responding to Cultural Appropriation | 152 |
Bibliography of Works Cited and Consulted | 159 |
Index | 166 |
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常見字詞
aboriginal cultures act of appropriation act wrongly acts of cultural aesthetic flaws aesthetic handicap aesthetic properties aesthetic value African African-American culture Amiri Baraka argue artifacts artistic elements artists who engage artworks Atanarjuat audience Australian aboriginal Australian aboriginal cultures authentic performance Baraka blues Chapter clan Consider cultural appro cultural appropriation cultural experience argument cultural property culture’s culture’s claim didgeridoo engage in cultural essay ethical example existentially existentially authentic Ganalbingu ginal Haida Haisla harm inauthentic Indian indigenous cultures individual inherited insiders insignia intellectual property minority cultures misrepresent moral motifs musicians Nations Native novel object offensive cultural appropriation ofthe one’s original outsiders owners ownership painting Parthenon Marbles Perhaps Piss Christ priation produced profound offence profoundly offensive question reason represent other cultures representation sculptures Sherman Alexie Similarly Skaay someone sort of appropriation stories style authentic subject appropriation tion traditional violated W. P. Kinsella write wrong Yolngu Zuni