Cultural Appropriation and the ArtsJohn Wiley & Sons, 2008年4月15日 - 184 頁 Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
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第 iv 頁
... Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted ...
... Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted ...
第 2 頁
... cultural appropriation of art. One can argue that artworks that are the product of cultural appropriation are bound to be aesthetic failures. Alternatively one can argue that acts of cultural appropriation are immoral. Aesthetic and ...
... cultural appropriation of art. One can argue that artworks that are the product of cultural appropriation are bound to be aesthetic failures. Alternatively one can argue that acts of cultural appropriation are immoral. Aesthetic and ...
第 3 頁
... act of cultural appropriation needs to take into account how something is regarded in its original cultural context. Here I am simply trying to delimit the class. 6 For a famous statement of this view, see Boas (1955), p. 9. 7 For an ...
... act of cultural appropriation needs to take into account how something is regarded in its original cultural context. Here I am simply trying to delimit the class. 6 For a famous statement of this view, see Boas (1955), p. 9. 7 For an ...
第 5 頁
... cultural appropriation. Types. of. Cultural. Appropriation. From what I have already said, it will be apparent that the sorts of activities classified as acts of cultural appropriation are quite diverse. Another dimension of this complexity ...
... cultural appropriation. Types. of. Cultural. Appropriation. From what I have already said, it will be apparent that the sorts of activities classified as acts of cultural appropriation are quite diverse. Another dimension of this complexity ...
第 8 頁
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內容
1 | |
2 The Aesthetics of Cultural Appropriation | 32 |
3 Cultural Appropriation as Theft | 63 |
4 Cultural Appropriation as Assault | 106 |
5 Profound Offence and Cultural Appropriation | 129 |
Conclusion Responding to Cultural Appropriation | 152 |
Bibliography of Works Cited and Consulted | 159 |
Index | 166 |
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常見字詞
aboriginal cultures act of appropriation act wrongly acts of cultural aesthetic flaws aesthetic handicap aesthetic properties aesthetic value African African-American culture Amiri Baraka argue artifacts artistic elements artists who engage artworks Atanarjuat audience Australian aboriginal Australian aboriginal cultures authentic performance Baraka blues Chapter clan Consider cultural appro cultural appropriation cultural experience argument cultural property culture’s culture’s claim didgeridoo engage in cultural essay ethical example existentially existentially authentic Ganalbingu ginal Haida Haisla harm inauthentic Indian indigenous cultures individual inherited insiders insignia intellectual property minority cultures misrepresent moral motifs musicians Nations Native novel object offensive cultural appropriation ofthe one’s original outsiders owners ownership painting Parthenon Marbles Perhaps Piss Christ priation produced profound offence profoundly offensive question reason represent other cultures representation sculptures Sherman Alexie Similarly Skaay someone sort of appropriation stories style authentic subject appropriation tion traditional violated W. P. Kinsella write wrong Yolngu Zuni