Cultural Appropriation and the Arts
John Wiley & Sons, 2008年4月15日 - 192 頁
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
讀者評論 - 撰寫評論
1 What Is Cultural Appropriation?
2 The Aesthetics of Cultural Appropriation
3 Cultural Appropriation as Theft
4 Cultural Appropriation as Assault
5 Profound Offence and Cultural Appropriation
其他版本 - 查看全部
aboriginal cultures act of appropriation act wrongly acts of cultural aesthetic flaws aesthetic handicap aesthetic properties aesthetic value African African-American culture Amiri Baraka argue artifacts artistic elements artists who engage artworks Atanarjuat audience Australian aboriginal Australian aboriginal cultures authentic performance Baraka blues Chapter clan Consider cultural appro cultural appropriation cultural experience argument cultural property culture’s culture’s claim didgeridoo engage in cultural essay ethical example existentially existentially authentic Ganalbingu ginal Haida Haisla harm inauthentic Indian indigenous cultures individual inherited insiders insignia intellectual property minority cultures misrepresent moral motifs musicians Nations Native novel object offensive cultural appropriation ofthe one’s original outsiders owners ownership painting Parthenon Marbles Perhaps Piss Christ priation produced profound offence profoundly offensive question reason represent other cultures representation sculptures Sherman Alexie Similarly Skaay someone sort of appropriation stories style authentic subject appropriation tion traditional violated W. P. Kinsella write wrong Yolngu Zuni