Gender, Genre, and the Romantic Poets: An IntroductionManchester University Press, 1996 - 170 頁 This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study. |
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第 1 到 3 筆結果,共 27 筆
第 16 頁
... influence , I draw out the gender implications of such interactions between living and dead poets and , in doing this , I suggest ways in which Harold Bloom's notion of a masculine ' anxiety of influence ' might be replaced by an ...
... influence , I draw out the gender implications of such interactions between living and dead poets and , in doing this , I suggest ways in which Harold Bloom's notion of a masculine ' anxiety of influence ' might be replaced by an ...
第 63 頁
... influence , Bloom draws explicitly upon the work of Sig- mund Freud to provide a model for the relationships he is describ- ing : Poetic influence , or as I shall more frequently term it , poetic misprision , is necessarily the study of ...
... influence , Bloom draws explicitly upon the work of Sig- mund Freud to provide a model for the relationships he is describ- ing : Poetic influence , or as I shall more frequently term it , poetic misprision , is necessarily the study of ...
第 64 頁
... influence in relation to women writers of the nineteenth century in The Mad- woman in the Attic : ' Bloom's model of literary history is intensely ( even exclusively ) male , and necessarily patriarchal . For this reason it has seemed ...
... influence in relation to women writers of the nineteenth century in The Mad- woman in the Attic : ' Bloom's model of literary history is intensely ( even exclusively ) male , and necessarily patriarchal . For this reason it has seemed ...
內容
Acknowledgements page | 1 |
Samuel Taylor Coleridge and Anna Laetitia Barbauld | 22 |
William Wordsworth | 38 |
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Abrams actor ambiguous appear Astarte attempts Auranthe Barbauld binary oppositions Bloom Byron chapter child Cixous closet drama Coleridge Coleridge's criticism cultural deconstructive Demogorgon Derrida described desire discourse discussion earlier effeminacy epic essay example female feminine Feminism Freud and Love gender and genre gender difference Harold Bloom Hazlitt Hélène Cixous identity implicitly Jerome McGann John Keats Kean's Keats's Kristeva language literary London Ludolph Lyrical Ballads male Manfred Manfred's masculine McGann Mellor Milton mind mystery narcissistic narrative nature notes notion object observes offered Otho paradox pastoral perceived performance play poem poet's poetry Prelude present primary narcissism Prometheus Unbound Rajan reader rejection relation relationship reveals role Romantic Ideology Romantic poets Romanticism Romanticism and Gender scene seen sense sexual Shelley Shelley's social sonnet Stuart Curran subject position sublime suggest tensions theatre theory Tintern Abbey tion Todorov traditional tragedy whilst William Hazlitt William Wordsworth Women Wordsworth writing